It was an absolute pleasure to meet and get a quick interview with the great Kurt Angle this past summer in Ottawa. First making a name for himself on the amateur wrestling circuit, it all culminated with a gold medal win (with a broken neck, no less) at the 1996 Summer Olympics held in Atlanta, Georgia. The ultimate achievement for most amateur athletes, this was not the end for Angle, but only the beginning. Just a mere two years later, he had signed on to the World Wrestling Federation (now the WWE or World Wresting Entertainment), a leap that would soon find him taking professional wrestling by storm. Making his television debut in November of 1999, he was a natural, not only at the wrestling, but also on the mike.
Often considered the best film of 1989, Spike Lee’s Do the Right Thing sets the tone early with Rosie Perez (who plays Tina) dancing to Public Enemy’s song "Fight the Power". It was rather interesting to learn that Lee was actually influenced by Ann Margret’s opening in Bye Bye Birdie (which has a very different vibe). In any case, what follows is a powerful, character driven dramedy that widely encompasses life, death, race, poverty and everything in between – all found within the neighbourhood of Bedford-Stuyvesant, Brooklyn.
I am sure most of you have heard of the classic 1967 crime flick Bonnie and Clyde. Perhaps a film that is lesser known and is also based off of Great Depression bandits Clyde Barrow and Bonnie Parker (though the two characters have different names) is the legendary 1950 film noir Gun Crazy – which, when viewed, will clearly be seen as a precursor to the Warren Beatty and Faye Dunaway offering.
There was always something highly entertaining about the late Patrick Swayze, whether he was having a comedic dance off against Chris Farley on Saturday Night Live, or he was the criminal mastermind of a surfer gang in the action flick Point Break. He always brought a charming, entertaining and realistic human side to the characters that he portrayed. One role that epitomises his varied career is the romantic dramedy Ghost.
Dirty Harry, starring the legendary Clint Eastwood, has to be one of the most iconic characters in film history. Eastwood truly brings the essence of Harry Callahan to life, delivering a gritty performance that captures the hero’s gruff, no nonsense ways and vigilante-style justice. In 1971, the same year Eastwood starred in Dirty Harry, Michael Caine was cast as the lead in a British motion picture called Get Carter, which carries many of the same themes.
Certain novels, and their respective films, capture the beautiful yet complicated nature of the American south. The Adventures of Tom Sawyer and To Kill a Mockingbird are two such examples. A third book that has been transformed into a motion picture that illustrates this intriguing subject is Jon Avnet’s 1991 movie Fried Green Tomatoes.
It is interesting to chart the history of how time affects the status of actors, directors and the like. Some stars, though long since passed, have lasted the test of time – their names still bandied about in common conversations and the current lexicon. When watching a thriller, we may quickly reference Alfred Hitchcock, or while enjoying the manoeuvres of a physical comic, our minds may harken immediately to Charlie Chaplin or Chris Farley. Yet, it is equally as intriguing to investigate how certain names that were once so prevalent in their own era have become unknown to the common viewer – where only true film afficionados know their reach and influence. This seems to be the case with the highly talented comedic filmmaker Preston Sturges.