If you’re a huge fan of Bud Abbott and Lou Costello, then this one will be a bit of a weird watch for you... as it is the only film the latter star appears in without his iconic straight man (the pair had dissolved their partnership in 1957). Also away from their typical Universal Studios, this one comes from Columbia. A clear take on 1958's Attack of the 50 Foot Woman, the director Sidney Miller promptly brought forward the sci-fi comedy parody The 30 Foot Bride of Candy Rock (1959).

If you’re a huge fan of Bud Abbott and Lou Costello, then this one will be a bit of a weird watch for you... as it is the only film the latter star appears in without his iconic straight man (the pair had dissolved their partnership in 1957). Also away from their typical Universal Studios, this one comes from Columbia. A clear take on 1958's Attack of the 50 Foot Woman, the director Sidney Miller promptly brought forward the sci-fi comedy parody The 30 Foot Bride of Candy Rock (1959).

If you had to guess what would be the top grossing British made film in Great Britain in 1974, thoughts would immediately go to the most recent James Bond adventure, The Man with the Golden Gun, or perhaps Roger Moore’s other successful feature of that year – Gold; then your mind might circulate to some of the popular comedy franchises of the time like Carry On (74's being Carry On Dick), or On the Buses (though those were released in 1971, 72, and 73), but instead, it’s the lesser known outside the UK, Confessions of a Window Cleaner... which also spawned three sequels released the next three years – but more on those later.

With an idea of fusing a semi-futuristic, sexy gialli murder mystery plot into the world of the ever growing MTV music video era that kicked off in 1981, producer Jacques Goyard hired music video director Piccio Raffanini to co-write and direct these loose ideas into what became Obsession: A Taste for Fear (1987). Basically looking like an hour and thirty-two minute music video infused with a hint of a mystery thriller plot, the cinematography and camera work actually frequently looks great, but Raffanini’s talent at what he does best cannot properly translate into a cinematic language.

There may be no better film to fit within the ‘What Could Have Been’ category than New York Ninja. Filmed all the way back in 1984 by famed martial artist John Liu in the Big Apple, as things progressed, they really didn’t... as 21st Century Film Corporation Inc. was going through financial issues and internal changes – meaning the money dried up. Soon, the movie, though relatively close to completion, was shelved, leaving it to sit ignored for close to 35 years. Never edited into any sort of complete form (nor having a soundtrack created for it), as the years passed, all the sound that was recorded was lost to time – leaving just the raw footage (there wasn’t even credits or notes for any of the actors who worked on the project).

You know, it is always energizing attending a first year event. Being part of the birth of something new, feeling the excitement of a fresh hunting ground, as well as seeing the scaffolding being set up for the growth of an event that will likely thrive for years to come, is always a sight to behold... and that was certainly the case with Nepean’s first ever Horror-Fi, hosted at the Nepean Sportsplex on June 13th and 14th, 2026. Brought to vivid life by Geeked Out’s Shannon and Patrick O’Neill, they’ve certainly done their research

When low budget B movies were produced back in the 1950s, studios (in this case, Columbia) never really expected that much from them... but as you might already know, especially when it came to fun sci-fi horror monster movies, they tended to hit the sweet spot for what movie audiences wanted. One such example is Robert Gordon’s cephalopod-centric It Came from Beneath the Sea (1955).