What Could Have Been: Obsession: A Taste for Fear

After two years of cancellations, hardship and frustration, CAPE made its triumphant return this past weekend (April 23-24, 2022). The Cornwall and Area Pop Event, which has become a yearly staple in the city since its inaugural one day event back in 2015, was a rousing success. . . its two day attendance estimated somewhere north of 4000 people. One of the first large events hosted in Cornwall following the conclusion of the mask mandates, it brought some much needed normalcy to the city and its people... an expo filled with passion, hope, and comradery. For the first time in a very long while, most patrons’ smiling visages could be seen, children ecstatic, while the young at heart seemed equally as buoyed thanks to the enlivening event.

The fourth and final Missed the Bloody Cut horror selection of this year, here are some more horror movies that did not meet my strict criteria (a rating of 7.0 or higher). . . but are still entertaining films (horror fanatics may enjoy) that do not deserve to be ignored like the old haunted murder mansion on the block – and that they are definitely worth a watch (just maybe not several re-watches).

Part 3 of my Missed the Bloody Cut horror selections, here are some more horror movies that did not meet my strict criteria (a rating of 7.0 or higher). . . but are still entertaining films (horror fanatics may enjoy) that do not deserve to be left behind like an alien who needs to phone home – and that they are definitely worth a watch (just maybe not several re-watches).

Part 2 of my Missed the Bloody Cut horror selections, here are some more horror movies that did not meet my strict criteria (a rating of 7.0 or higher). . . but are still entertaining films (horror fanatics may enjoy) that do not deserve to be forgotten like that spooky attic (that may be hiding more than just dust) – and that they are definitely worth a watch (just maybe not several re-watches).

A tradition every October here on Filmizon.com, I’ve decided that I would highlight some of the horror movies that did not meet my strict criteria (a rating of 7.0 or higher). . . as I realized that they are still entertaining films (horror fanatics may enjoy) that do not deserve to be like an unseen spirit, never to be noticed again – and that they are definitely worth a watch (just maybe not several re-watches). As the introduction to my month (and a bit) of horror reviews, I’ve already been powering through a plethora of horror features as we speed towards Halloween, and, instead of posting one massive selection of Missed the Bloody Cut reviews at the end of October, I have decided to break it into several parts.

Next time you see your friends, you might just want to take a gander into their peepers, for if we learn one thing in today’s feature, it’s that Death Has Blue Eyes (aka The Girl Is a Bomb). A 1976 Greek film written and directed by first time film maker Nico Mastorakis (though his more famous cult classic Island of Death was released first, it was in fact made second), this one is a mish-mash of C movie ideas rolled into a honey-trap of underwhelming baklava (sadly, the Greek pastry does not make an appearance in the flick). Feeding off of the James Bond and giallo craze of the time (as well as any other genre they could pop in), financed by the porn king of Greece, and with a budget so low that the writer/director would not earn one penny (or should I say drachma), in the end, it does intriguingly share some similarities with Brian De Palma’s Carrie – which was released the same year as this one. Keep in mind, perhaps, the fact that this is arguably the first supernatural film to be made in Greece – so maybe we can be kind in saying that it has a good concept that just isn’t executed particularly well.