The front door to an apartment swings open... an unseen figure walks through the living area and approaches a beautiful blonde woman wearing a robe as she walks around the bathroom... he then deliberately empties the barrel of his revolver into her – this is the jarring cold opening to the film noir Illegal (1955), and one thing is for sure, it knows how to grab your attention. Funnily enough, this was the third adaptation of the 1929 play “The Mouthpiece” by Frank J. Collins, following Mouthpiece (1932) and The Man Who Talked Too Much (1940) – and they say movies are remade too much today. Flash to Victor Scott (Edward G. Robinson), a district attorney who is wise to all the angles and is graced with a silver tongue. With an unyielding desire to win (he got it from growing up and fighting his way out of the slums), he argues every case like it is his last.
It is rather unusual to see a film-noir made in glorious Technicolor – though this is exactly what the 1953 crime thriller Niagara is. Director Henry Hathaway swaps the moody shades of black and white for strikingly vivid colours as we watch two couples cross paths in stunning 1950's Niagara Falls, Ontario (the film was almost completely shot on location).
Abe Vigoda passed away today at the age of 94. Vigoda enjoyed a long career in the film and television world, with standout roles in The Godfather Part 1 and Part 2 as well as in the comedy series Barney Miller. Though, perhaps more recently he is best remembered for his short but vital part in the hilarious Superbowl Snickers commercial featuring Betty White. In honor of Vigoda, The Godfather Part II will be reviewed here today.
I spoke to character actor Ron Perlman recently about his favourite films. The veteran performer, who has been in motion pictures and television for more than thirty-five years, shot to fame in the late eighties with the show Beauty and the Beast. He has not stopped since, taking on numerous memorable roles in series such as Sons of Anarchy and Hand of God as well as in films like Hellboy, Drive and Pacific Rim, to name but a few. He has worked with horror maestro Guillermo del Toro an impressive six times – calling the director an absolute genius.
It is not hard to argue that the classic 1972 crime film The Godfather is the biggest movie to come out of that decade and transcend the generations (that is, if we do not count its 1974 sequel – which is of equal popularity and importance).
In 1950, just prior to being blacklisted, director Jules Dassin was sent to make a film in London, England – being warned by producer Darryl F. Zanuck that it would most likely be the last movie he would make. What came of this venture was the classic film-noir Night and the City.
I am sure that most of you may recall my review last summer with Canadian PGA golfer Riley Wheeldon (who had such a good year that he has advanced to the Web.com Tour – just one step below the PGA tour), who said that his favourite movie was Happy Gilmore. I was actually lucky enough to golf with a second pro last year; Welshman, Ben Briscoe. Briscoe attended the qualifier, which was played at the Cornwall Golf and Country Club, and sadly did not make the cut (which would have sent him to Upper Canada Golf Course to play in the Great Waterway Classic), giving him the less satisfying runner-up prize of playing a round of golf with me.