This very well may be the shortest review I’ve ever written. Juror #2 (2024), Clint Eastwood’s most recent directorial effort (he also co-produces), very much leans on several legal dramas and thrillers from the past, most notably the classic 12 Angry Men, to great effect. Twisting the above mentioned film in clever fashion, in some ways, recovering alcoholic Justin Kemp (Nicholas Hoult) is a stand-in for Henry Fonda’s Juror #8, as he too stands up for the man being charged with murder... the only difference is, he soon realizes that he knows a bit more about the case than the rest of the jurors (and even he originally thought). Though this is not a twist filled feature (à la Usual Suspects), much of its entertainment comes from watching it unfurl as it goes along – hence why very little of the plot will be disclosed here. It is also worth noting that, unlike 12 Angry Men, screenwriter Jonathan A. Abrams opens the story wide, allowing us to hear testimony, explore the crime scene, and discover actual truths we never got to see in the 1957 motion picture.
Chance, luck and fate are themes that are often examined in a plethora of genres. One director who analyses these topics in interesting ways is the always entertaining Woody Allen. Many of his recent motion pictures, including Match Point, have scrutinized these random and inscrutable aspects of life: with the phrase "I’d rather be lucky than good" being one of the observations found in the above stated film. Another of his movies, this one more comedic, that tackles these topics is the lesser known 2009 flick Whatever Works.
Sometimes going into a movie with low expectations can be a good thing. As I was perusing a discount store one day, I came across a film titled Suck – a rather ominous moniker I must say. Yet the premise, which pays homage to rock and roll while also spoofing vampiric horror in a comedic way, sounded like it could be fun. Plus, the back cover explained that it boasted a rocking soundtrack while featuring cameos from legends like Alice Cooper and Iggy Pop, so I picked up the Blu-Ray for a whopping three dollars.
The fantasies that flow within a child’s mind are something special that I believe most people lose as they get older (when doubt, reality and logic come into play). Kids have the innate ability to dream about being a professional athlete, a space cowboy or any other bizarre profession (that would baffle the adult mind). The 1993 family sports film Rookie of the Year captures this unbelievable concept of a childhood wish becoming amazing reality.
I am excited to announce that a new feature has come to Filmizon.com – the ability to do a Dual/Duel movie review. I can think of no better way of putting the new set-up to the test than comparing one of the best films of 2008 – Clint Eastwood's Gran Torino, to a lesser known, but equally strong picture – 2009's Harry Brown, starring Michael Caine.
10 days: that was how long it took to film the 1963 B-movie Shock Corridor. Originally advertized as an exploitation picture (and it does have some of those elements), Samuel Fuller’s film about a journalist who has himself committed to solve a mysterious murder is so much more than its original label.
It is generally believed that tv movies are pretty average fare. It is rare that a film released on the tube can transcend this preconceived notion and be considered a great movie, yet this is the case with the excellent 1983 flick The Scarlet and the Black.