Déjà vu Dalliance

You just have to wonder if the overt sentimentality of a Frank Capra-type picture can’t work with a twenty-first century mindset. . . known as Capracorn, his movies were so sweet that they would even cause a perfectly healthy individual to get diabetes. Case in point, 2005's The Amateurs (sometimes known as The Moguls), a movie so obscure, a teacher makes more money in one year than it grossed at the box office. Panned by critics and never given a chance at the box office, it was relegated to a grim alternate reality akin to Pottersville. Written and directed by first time film maker Michael Traeger (sadly, this is still his only directorial credit), he follows the Capra mold, finding a rather ironic storyline to juxtapose the heart-filled tale.

“The cruelest dream, reality”. . . a lyric from The Offspring’s iconic song that shares the same title as this article, speaks volumes to today’s feature. 1986's River’s Edge, written by Neal Jimenez and directed by Tim Hunter, takes a bleak look at the lives of a group of teens growing up in northern California during the MTV generation. Arguably holding a twisted link to Stand by Me, which was released the very same year, this holds the lens to older teens. . . focusing more on the Kiefer Sutherland character’s age group rather the tweens of that feature. A dual analysis could definitely reap some benefits.

A tale of its time, writer/director S. Craig Zahler (Bone Tomahawk; Brawl in Cell Block 99), takes us into dangerous terrain. . . no, not some bloody wartime feature or psychotic mystery/thriller, but rather into the realm of conservative and liberal, cops and criminals, race and racism, preconceived notions, and cancel culture, with his 2018 film Dragged Across Concrete. If you’ve seen Zahler’s previous efforts, you’ll likely know what to expect – fantastic, if lengthy dialogue (with a very specific and unique rhythm), combined with shocking moments of violence. Almost written more like a novel than a screenplay, it is a fascinating study. . . but more on that later.

Quirkily droll with a dark tinged twist, Devon Avery’s short film One-Minute Time Machine (2014), is an honest, sci-fi infused romantic comedy revolving around the difficulties of making that first emotional connection. . . setting in motion that much desired first date. Written by Sean Crouch (a scribe on television series like Numb3rs and The 100), he sets this unusual scene in the most simple and romantic of places. . . a bench backed by a sunlit, lush green park. Sitting there (minding her own business) is Regina (Erinn Hayes), a woman who immediately catches the eye of someone walking by, James (Brian Dietzen).

Sometimes things look good on paper, then translate well to film, and still don’t work at the box office. I am still not quite sure how 2003's The Rundown failed to win over a massive audience (80.9 million made on an 85 million dollar budget). Developing an action frenemy comedy script that deftly mixes the two genres (by Xena: Warrior Princess writer R.J. Stewart), what followed was inspired casting. . . pairing the biggest wrestler of the time (and one of the most charismatic human beings on the planet – The Rock (a.k.a. Dwayne Johnson – who had only dabbled in Hollywood with The Mummy Returns/The Scorpion King), with Seann William Scott, who was just coming off of the success of the American Pie trilogy (as well as some other memorable roles at the time – Road Trip and Old School come to mind), the pair have instant chemistry. It should be no surprise that Vince McMahon is a producer on the project.