An Indie sci-fi film on the precipice of where we might be heading, Creep Box, written and directed by Patrick Biesemans (and based upon his own short from 2022), ruminates on a hybrid artificial intelligence that is both intriguing and terrifying. Following Caul (Geoffrey Cantor), a PHD in psychology and parapsychology at HDTH Corp, he is currently working on a sleek black tech box... a device that can be used to collect the memories of the dead, which are then fused with an A.I. that can utilize the past of the deceased to not only communicate with loved ones, but also gather information that could lead to solving crimes of those who have been murdered.
Star Wars: The Force Awakens has taken the world by storm. Before I wrote this review, I wanted to watch the film for a second time in a theatre – this time, in 2D, yet it was sold out more than two weeks after its opening night.
Star Wars is the talk of the town once again. Episode 7, entitled The Force Awakens is sweeping the box office by storm. So, perhaps it is wise to return to the year 1977 to look at the first film: A New Hope.
As most of you probably already know, Roger Ebert passed away last Thursday after a bout with cancer at the age of 70. If there is such a thing as a superstar movie reviewer, Ebert would be it. Since the 1960s he reviewed films for the Chicago Sun Times and spent years bringing motion pictures to his audience through his television programs which featured his iconic two thumbs up rating system. Though I did not always agree with his opinions, he had the amazing knack of reaching both knowledgeable film experts and the ordinary moviegoer. As a tribute to this gargantuan movie expert, I will highlight three films that he loved during my next three articles.