Sometimes a movie just doesn’t fit perfectly within its own genre... going against a few of the tropes that define what something is, all while hitting enough of them to still be what it is – confusing! That’s the case with this latter-day Italian giallo, Mystère... sometimes better known by its English title Dagger Eyes (1983). Co-written and directed by Carlo Vanzina, the film opens with a rather impressive, though more crime inspired assassination in Rome... resembling the real life John F. Kennedy car killing. It will start a chain reaction of murders that will rock the Eternal City.
Guillermo del Toro has quickly elevated himself to the level of super-stardom. The horror leaning director crafts loving stories that revolve around the monsters that haunt our nightmares, concocting vivid worlds that both touch our hearts as well as stop them – using stunningly crafted eerie atmospheres and shocking spectacles to succeed. So, I thought that I would reflect back on the director’s first motion picture, 1993's Cronos. Written and directed by the horror maestro, the film contains many of his staples that we have come to know and love – including rich characters, gothic horror elements, a fix of Ron Perlman, as well as countless other things.
Depicting the slow decline of a wealthy family, Orson Welles’ follow up picture to Citizen Kane, 1942's The Magnificent Ambersons, provides us with a melancholic reflection on how the more simple life of the nineteenth century transitioned into a more hurried, less enjoyable one as the new century was ushered in. We are transported into the socialite world of the Ambersons, a well-to-do American family living in the then small city of Indianapolis. Residing in a gargantuan mansion, the family sit at the top of the food chain when it comes to the pecking order in the area. Welles provides the voice-over narration as he introduces us to the family, including Isabel (Dolores Costello), daughter of patriarch Major Amberson (Richard Bennett), a young lady who is being courted by the thoughtful Eugene Morgan (Joseph Cotten). After a disastrous attempt at performing a serenade for her, the romantic man is shunned by the young debutante – she sees his failure as an ominous sign.
It is hard to fathom that Ferris Bueller’s Day Off is thirty years old. Written and directed by John Hughes, it is one of the seminal comedies of the 1980s – having influenced so many future films that look at the lives of bored yet rambunctious teenagers. Not too long ago, I chatted with MonkeyJunk drummer Matt Sobb. An integral part of the three piece Juno Award winning swamp rock/blues band, the percussionist narrowed his favourite films down to two – strangely enough, both were released in 1986: Stand by Me and Ferris Bueller’s Day Off (which will be discussed here today). Providing me with two very well rounded and in depth answers, check out his response down below by clicking on the video interview. The band has been busy of late, having spent much time on tour throughout Europe and the United States – they are now making their way through Canada just prior to the release of their new album, Time to Roll. Make sure to check them out if you get a chance.
Containing two of the big time film noir players, 1949's The Set-Up follows down and out boxer Stoker Thompson (Robert Ryan) as he prepares for his next bout. Ryan, who starred in 15 film noirs throughout his career, perfectly encapsulates the aging veteran, with his domineering height, craggy athletic look, and pained eyes that show the seemingly endless struggles he has had in the ring. His long suffering wife, Julie, is played by Audrey Totter. The dame, who passed away back in 2013 at the age of 95, took on 14 very different roles in the bleak genre. The attractive blonde is less femme fatale in this one, this time showing her range as the pained woman who can no longer watch her husband take beatings night after night.
With the remake of the 1960 classic The Magnificent Seven coming out this week, I thought that it would be a good time to go back and revisit the original motion picture – though perhaps some will be surprised to find out that The Magnificent Seven is a remake of Akira Kurosawa’s iconic Japanese movie Seven Samurai. A while back, I was fortunate enough to chat with Chris Slade, the current drummer of AC/DC (who also performed with them during the years 1989 to 1994 – recording three albums with the high octane rock band: The Razors Edge, Live at Donington and AC/DC Live). Born in Wales, the percussionist has had a long and illustrious career, being the original drummer for fellow Welshman Tom Jones (and part of his first six records), as well as being a founding member of Manfred Mann’s Earth Band (recording eight albums along with Manfred Mann, Mick Rogers and Colin Pattenden from 1971 to 1978).
Numerous robberies, black market sales, an underground high stakes poker game, and traffic violations abound in Guy Richie’s first motion picture – Lock, Stock and Two Smoking Barrels. Featuring the now iconic director’s signature style, Richie fills his intricately plotted, multifaceted storyline with fast paced editing, even faster paced dialogue, his oddball sense of humour, rich personas, and eye-catching style that consists of both sepia tones as well as vivid colours. Though the tale consists of many varied characters, Eddy (Nick Moran), Tom (Jason Flemyng), Soap (Dexter Fletcher) and Bacon (Jason Statham) make up the main gang. They are a group of friends that have been together since childhood and have been small time crooks for nearly as long.