In 2025, dare I say that it’s nice to be highlighting a film made for mature audiences. Avoiding the pratfalls of sequels, remakes, comic book movies, and overly costly bombast, Black Bag, written by David Koepp (Mission: Impossible) and directed by Steven Soderbergh (Traffic), is most easily described as an old school spycraft feature. Opening with an extended tracking shot of spy George Woodhouse (Michael Fassbender) making his way through a happening nightclub in London, his contact soon informs him that there is a rat leaking some sort of tech software named Severus from within the agency. If there is one thing Woodhouse despises, it’s a liar, so he invites all of the suspects to a dinner party to try to get to the bottom of it.
We are now in the middle of the awards season and are closing in on the holy grail of film festivities: the Academy Awards, or as we all like to call him – Oscar. This month, I will be reviewing four motion pictures that have won at least one of the major prizes of either best director, actor, actress or picture.
In 2002, writer/director Brian De Palma once again put pen to paper and created another one of his unique homages to classic cinema (the first in ten years). Titled Femme Fatale, the director lets us follow his own take on the legendary film noir bad girls of old.
Before I refer to the main title, I must first announce that long-time character actor James Rebhorn passed away last week at the age of 65. Though perhaps not a household name, the tall balding man (who looked the same age for as long as I can remember) will surely be missed, as he played small yet memorable roles for more than 30 years.
In 1939, it was known that Charlie Chaplin was making a new film.
It is hard to believe that Clint Eastwood has been directing movies for over four decades. His second directorial effort, the 1973 western High Plains Drifter, is now celebrating its 40th year.
Stanley Kubrick, one of the great directors of the 20th Century, was a unique artist who was able to experiment with many different genres throughout his four plus decades of work. From film noir to horror, Kubrick’s movies were varied so that no two were similar, other than perhaps in theme. Of his 13 motion pictures, only two were war based, with the 1987 Vietnam narrative Full Metal Jacket being one of his most iconic. Yet, I am going to talk about his earlier anti-war film, the 1957 classic Paths of Glory.