My plan for this week was to write a review on the Christmas classic It’s A Wonderful Life, but after the passing of legendary Irish born actor Peter O’Toole, who is best known for his amazing portrayal of T.E. Lawrence in the epic Lawrence of Arabia, I thought it would be fitting to turn my gaze to another darker Christmas movie, the 1968 historical drama The Lion In Winter, directed by Anthony Harvey.

After last week’s action-packed Christmas review of Die Hard, I think it is time to reset our bearings and capture a more Christmas-y feel. The 2003 romantic comedy Love Actually, written and directed by Richard Curtis (Mr. Bean, Bridget Jones’s Diary), fits the bill.

This may seem like an odd combination and strange title, but it is actually the name of a trilogy of British movies (also known as the Cornetto Trilogy – a type of ice-cream in the UK). Directed by Edgar Wright and starring Simon Pegg and Nick Frost, the films pay comedic homage to different genres. You may ask how the three movies connect together – they do not. All three movies have Pegg and Frost playing completely different characters. The only thing the three motion pictures have in common is that there is a lot of ice-cream and blood in them. One of the benefits of the no-connect trilogy is that you can watch them in any order. Today, I am going to review the second film, 2007's Hot Fuzz.

When hearing the name Clouseau, most people automatically think of the bumbling French detective made famous by comedy genius Peter Sellers in the Pink Panther movies, or the uninspired remakes with Steve Martin. Yet I am not referring to that character, instead I am talking about serious film director Henri-Georges Clouzot who directed the horror mystery/thriller Les Diaboliques in 1955.

Too many horror movies today tend to go for cheap thrills, such as jump-scares and graphic violence, rather than focusing on what makes the genre so special – slow-building suspense and a thick and eerie atmosphere. There is nothing wrong with mixing the two together, but too often directors forget about the mood of the film altogether. It is quite rare to find slow-burning and cleverly crafted horror films such as past classics like The Shining or The Changeling. Some of the most recent motion pictures that do capture this more vintage style of horror film are from Spanish speaking countries such as Spain and Mexico. It has been quite impressive to watch the sizeable amount of these style of horror films emerge over the past decade or so. One such film is the 2007 horror flick The Orphanage.

For the month of October, I will be highlighting films that fall within the horror and thriller genres. With this article, I will also be starting an extended series of reviews that will look at director Brian De Palma’s lesser known works that are a part of the mystery or thriller categories. Though best known for iconic movies like Scarface, The Untouchables, Mission Impossible and Carlito’s Way, for more than forty years De Palma has created lesser-known classic thrillers inspired by master director Alfred Hitchcock, as well as classic genres such as film noir, and then adds his own masterful spin and touches to these unique areas of cinema. Within this sub-section of De Palma’s work, his most famous film is probably the 1980 mystery thriller Dressed to Kill. It is this movie, that to his detractors, proved he was nothing but a Hitchcock rip-off artist, yet his fans were once again delighted by the man’s genius as a visually talented director that was on a higher plateau than anyone else at the time. You can probably guess that I fall within the second grouping of people.