One of my favourite genres is the short-lived film noir category, which lasted through the 1940's and petered out towards the end of the 1950's. It grew from the German expressionism period of the 1920's and was compounded by the anxiety and cynicism that came out of World War II. Named by French critics who were describing the black-and-white Hollywood crime movies of the 40's, this is a unique genre that captures a much darker, cynical and more vicious world than most other films from this period.

It is unusual to find a film that is able to effectively change direction, speaking in the genre sense, without losing steam, confusing viewers, or ruining the flow of the movie. Yet, when properly done, these twists and turns can take you on a wild and entertaining ride to somewhere completely unexpected. This is what the 1986 motion picture Something Wild does effortlessly.

It is pretty rare that I do this, but I sat watching a newly released DVD called Stoker last night and decided to write a review immediately after finishing it, and for once, one of the films I have critiqued will be readily available to buy or rent.

The 1980's and 1990's were two superb decades for amazing action films that contained easy on the eyes stunts, clever storylines, touches of comedy and great villains. Movies like the Die Hard trilogy, Lethal Weapon 1-4 , Mission Impossible, and James Bond entries like License to Kill and Goldeneye entertained in all of these categories. One of the best action movies to come out of the 90's though, is known as Léon or The Professional.

One of my favourite film styles is the post apocalyptic genre. Depending on the time of production, these movies depict the fears of the day. For instance, in 1973 Soylent Green was made, which highlighted the possibility of overpopulation, lack of employment and most importantly, food shortages; (look for a review of this film at a later date). Quite differently, in the 2006 motion picture Children of Men, we see quite the opposite – a world that is dying as humans are no longer able to procreate.

As you can probably tell from my other reviews, most of the films that I choose are not family friendly, which is why I have decided to change course and review what I feel is an often overlooked comedy, the 1989 John Hughes’ movie Uncle Buck.