Ah, Death, sometimes known as the Grim Reaper, has been depicted in so very many unique ways, with the most traditional being of the lineage of Victor Sjöström – who made the silent horror film The Phantom Carriage (1921)... which then inspired his protégée Ingmar Bergman (who watched the feature every year – usually on New Year’s Eve) with making his classic Black Death plague set film The Seventh Seal (1957). Having a laugh at that always winning Reaper, the 2011 horror comedy short The Coldest Caller, written and directed by Joe Tucker, is a four minute humour-filled foray into one such harrowing scenario. Exhuming some fun in a Monty Python-like sketch (specifically Monty Python’s Meaning of Life), when the ominous list-carrying Grim Reaper (Noel Byrne) – your typically towering, hidden gaunt figure dressed in all black, arrives on the cozey doorstep of one Mrs. Evans (Sheila Reid), the punctual old lady almost seems like she has already been waiting for him all day.

It almost felt like Matt Bettinelli-Olpin and Tyler Gillett’s Ready or Not 2: Here I Come – a sequel to the original horror-comedy hit, were playing the very game it references in the title, as it has been a surprisingly long seven years since the original was released in theatres. Despite the wait, this one starts up literally right where the first concluded, with smoking survivor Grace MacCaullay (Samara Weaving) being brought to a hospital, after which the police would like to question her on all the Le Domas carnage. But, unknowingly to anyone except a select few, her defeat of the satanic gaming family has set in motion a most unique event that will bring together the other elite families that are members of the same Council (that, for all intents and purposes, run the world) – who are all called forth by the head of the table, Chester Danforth (David Cronenberg – yes, the famed horror director).

An over the top, campy kitsch cult classic that plays like a wildly fun rock opera, Flash Gordon (1980), directed by Mike Hodges, and based on the Alex Raymond comic strip first published in 1934, is perhaps most intriguing for attracting the rock band Queen to compose and perform the theme song and score with the help of orchestral scorer Howard Blake (though much of his work was cut in favour of Brian May). Produced by the famed Dino De Laurentiis, this would be his third and final creation of a former comic strip, with the first two being Barbarella and Danger: Diabolik, both released in 1968

A rare Pre-Code film that still echoes through the lineage of movies to this day, influencing the gangster genre is the Howard Hughes produced, Howard Hawks directed, Ben Hecht written Scarface (1932) – with its elements playing an integral part in setting up the archetypal template for generations to come (just think of the works of Martin Scorsese, Brian De Palma and Francis Ford Coppola four, five, and six decades later). Ripped from the headlines at the time, this fast paced and snappy gem doesn’t feel like it’s made in 1932, the limitations of the early ‘talkie’ era hardly noticeable. The camera gracefully moves around, be it reenacting the movement of a Tommy gun or introducing us to the players in a room.

I’ve said it here on Filmizon before, and I’ll say it here once again... 1969 is arguably the best year for westerns. On top of rather avant-garde boundary pushers like Butch Cassidy and the Sundance Kid, 100 Rifles, Paint Your Wagon, and others, there were also a slew of more traditional style features from the genre, including the movie reviewed here today, The Undefeated (1969) – which has often been a bit overshadowed by another John Wayne starring western that was released the same year, True Grit. Directed by Andrew V. McLaglen, the story is set in a rather interesting period – just as the American Civil War has come to an end. Swapping between two intersecting stories, Union Col. John Henry Thomas (Wayne – Arizona; The Quiet Man) has stepped away from his military role, taking his few remaining men west to gather some wild horses to sell before heading home

Interweaving an emotional narrative between historical fact and seemingly plausible guesswork/fiction to the point that it feels a wholly realistic possibility, this year’s Academy Award Best Picture nominee Hamnet (2025), co-written and directed by Chloé Zhao, provides an intriguing look at the life of William Shakespeare and his family tied into his legendary tragedy Hamlet. Also co-written by Maggie O’Farrell – who wrote the novel of the same name that the film is based upon, the narrative takes a years long look at the Shakespeare family. Opening with an explanation that the names of Hamnet and Hamlet were basically interchangeable at this time in history, that will certainly come into play later.