Under My Skin

Three weeks ago today, I reviewed Tie Me Up! Tie Me Down!, a 1989 film directed by Pedro Almodóvar that starred Antonio Banderas. I said that in some ways it was similar to another motion picture that features the iconic director and actor – 2011’s The Skin I Live In, which will be reviewed here today.

Feeling like a modern take on the Frankenstein story (or perhaps Bride of Frankenstein), Banderas plays Robert Ledgard, a plastic surgeon and scientist at the forefront of his field. He has been successful in developing a type of artificial skin that is resistant to burns as well as insect bites. Controversial in the scientific community, he claims to have only tested it on mice – though when he hints that he has used it on a human being, he is strictly prohibited from continuing his research.

His multimillion dollar home is like an upgrade on the traditional Frankenstein castle, with a mix of historic touches (striking herringbone floors) and modern amenities, including a state of the art research lab and operating room. Tucked away in a large bedroom on the upstairs level, a woman named Vera Cruz (Elena Anaya) can be found under lock and key. She receives her food by way of a dumbwaiter and is watched day and night by security cameras. Ledgard’s room, which is next to hers, has a giant television that allows him to watch his subject.

Mystery, suspense, and horror builds as only tidbits are hinted at by the cryptic doctor, his loyal housekeeper Marilia (Marisa Paredes) and the lonesome, stranded woman. Soon, Marilia’s violent son Zeca (Roberto Álamo) arrives at their doorstep, looking for a place to hide from the police. Things quickly boil over as the man pushes the boundaries while Ledgard is out. This unexpected and unwanted arrival reveals more secrets from both Ledgard and Marilia’s pasts.

It becomes clear that there has been much hardship in Ledgard’s life, as his wife supposedly burned to death while issues with his daughter are whispered about. His housekeeper even hints that the young lady who is locked away resembles his deceased wife. Nothing is as it seems, as each turn brings a newly revealed secret – unfolding a story of extreme revenge unlike anything ever seen before.

As the mid point of the film approaches, an extended flashback highlights the troubles of Ledgard’s past, including those of his daughter Norma (Blanca Suárez) and her dealings with Vincente (Jan Cornet). This big reveal, that opens our eyes to the unexpected situation, sets the stage for a confined, confused and claustrophobic finale.

The Skin I Live In is an expertly crafted motion picture. In Almodóvar’s capable hands, we have a mesmerizing story, whose twist, that is slowly revealed half way through, does not detract from the intense conclusion. It has a beautifully (as well as disturbing) written story, a wonderful visual style, a perfect setting and a group of actors that are able to carry the heft of the deep piece of work. Banderas is cool, dark and suave, making for a tough read. Anaya is equally as impressive, as she confidently channels a character that lacks that very ability, showing depression, confusion, and fight in her face and eyes. Paredes, Cornet and Álamo also add gusto to complex parts revolving around difficult subject matter.

Original, unexpected, intriguing, disturbing and controversial, The Skin I Live In is a breath of fresh air from the typical modern releases. Crafted like a piece of art, each brush stroke is expertly done, making for a visual masterpiece that consists of equal parts horror and thrills. Utilizing themes that revolve around revenge, pain, loss and survival, this one feels like it will have a lasting effect on the film industry. So, transition away from the typical Hollywood fare and see this Spanish language picture that is sure to bring goose bumps to your skin.

This film is subtitled.