A Pre-Code romantic crime drama from Columbia Pictures, 1932's Virtue, directed by Edward Buzzell, got off to a bit of a bumpy start... for when star Carole Lombard (on loan from Paramount) met studio president Harry Cohn (known to be blunt, opinionated, and rather colourful with his language), he told her that her hair was too white – making her look like ‘a whore’. Lombard, no shrinking violet, promptly responded with: “if anyone would know a whore it would be you”. Though the two would soon earn each other’s respect (something that would last for the rest of their lives), this really is a perfect story that exemplifies the edgy themes and style found in these Pre-Code movies. Opening with a black screen that hides the visuals of a criminal sentence, a Judge rather kindly orders several prostitutes to vacate the city, but if they return, they shall be punished to the full extent of the law.
Each generation has a select few films that push the boundaries of their era – changing the way in which people saw motion pictures and (usually) creating a new freedom for future filmmakers to delve deeper into those controversial themes that were first explored in the edgy flicks. One such movie is Fred Zinnemann’s 1953 motion picture From Here to Eternity. A major risk for Columbia at the time ), the decision paid off, as it was a major financial success and won eight Academy Awards (including Best Picture, Best Supporting Actor and Actress – for Frank Sinatra and Donna Reed, Best Director, etc.).
Back in the early 1980's, Polish writer/director Krzysztof Kieslowski made a film titled Blind Chance, which scrutinized the concepts of luck, predetermination, and how one minuscule happening (through blind chance) can change your life in wholly different ways. Filmed at the heart of the Solidarity Movement in Poland (a time when people rose up against the Communist government in the form of a trade union first led by Lech Walêsa – which led to greater freedom for a few years), Kieslowski
"I remember 3 or 4 weeks before [filming Star Trek], I was working on a western, being beat up, and shot, and one thing and another. . . and then finally killed in the thing; and then a month later I’m in a gold tutu floating around as a God – so you never know in this business. It is very strange". That is a quote from iconic character and voice actor Michael Forest, who has been working in the business for more than sixty years. He humourously summed up life as an actor in the quotation above, referencing work on a western as well his classic turn as the God Apollo (in the episode ‘Who Mourns for Adonais?’) on the television series Star Trek. I was fortunate enough to interview Forest at CAPE, the Cornwall and Area Pop Expo as part of the fiftieth anniversary of the cult classic Star Trek.
Some stories feel as though they have been with us since the dawning of time. They deal with universal themes of love, coming of age, revenge and friendship. A film that feels like a modern retelling of a long since forgotten tale is the 2012 drama Mud. Clearly based upon Mark Twain’s yarns that feature Tom Sawyer and Huckleberry Finn, the plot follows modern day youths Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) as they come of age on the Arkansas River (a tributary of the Mississippi).
Certain novels, and their respective films, capture the beautiful yet complicated nature of the American south. The Adventures of Tom Sawyer and To Kill a Mockingbird are two such examples. A third book that has been transformed into a motion picture that illustrates this intriguing subject is Jon Avnet’s 1991 movie Fried Green Tomatoes.
Interweaving multiple stories can be a complicated thing to do. For every film that succeeds at structuring several tales into one powerful story, there are twice as many that fall flat. One movie that takes on this challenging task, tackling three separate narratives that take place in very different eras, is the 2002 dramatic motion picture The Hours. The film features several powerhouse performances from three superb actresses (Nicole Kidman, Meryl Streep and Julianne Moore), so it is perhaps not surprising that actress Jenny Lampa, who has earned rave reviews and has received a number of acting nominations for her performance in the Swedish thriller The Break-In, selected this as one of her favourite movies.