A Pre-Code romantic crime drama from Columbia Pictures, 1932's Virtue, directed by Edward Buzzell, got off to a bit of a bumpy start... for when star Carole Lombard (on loan from Paramount) met studio president Harry Cohn (known to be blunt, opinionated, and rather colourful with his language), he told her that her hair was too white – making her look like ‘a whore’. Lombard, no shrinking violet, promptly responded with: “if anyone would know a whore it would be you”. Though the two would soon earn each other’s respect (something that would last for the rest of their lives), this really is a perfect story that exemplifies the edgy themes and style found in these Pre-Code movies. Opening with a black screen that hides the visuals of a criminal sentence, a Judge rather kindly orders several prostitutes to vacate the city, but if they return, they shall be punished to the full extent of the law.
If there is one thing that films often lack, especially in the twenty-first century, it is a solid script. One classic motion picture that demonstrates a near perfect screenplay is the iconic 1957 movie 12 Angry Men.
Sometimes the opening credits of a film can signal the type of experience you are in for and this is clearly the case with Gary Gardner’s The Nymphets. The credits are large, bold and frantically paced, which, along with the similarly themed musical score, highlights that we are in for quite the ride.
It is not often that I am able to review a movie that claims to be an Irish Shakespearian Western, but that is simply, or perhaps complexly, what Patrick Ryan’s feature film directorial debut Darkness on the Edge of Town is.
Though it may feel like it has been a while, I return once again to my reporting on the celebrities of the Children's Treatment Centre Roast of Guy Lauzon. Having covered the panel prior to Christmas, I now tackle the event's master of ceremonies, North Dundas Mayor Eric Duncan (one of the youngest mayors in the history of Canada, the youngest Warden of SD&G in its 165-year history and chair for the Eastern Ontario Warden's Caucus).
Sen. Jacques Demers, the former head coach of the Montreal Canadiens who led the team to its last Stanley Cup in 1993 and Habs analyst on RDS, was another one of the roasters at the recent Children's Treatment Centre roast of Guy Lauzon. The man spoke very highly of the worthwhile cause and earlier in the evening he spoke to me of his two favourite movies, the first of which will be discussed today.
Last week, Sharon Osbourne, the media personality known for her reality television show The Osbournes (along with rock star husband Ozzy and their children), as well as being a judge on America’s Got Talent and more recently, one of the co-hosts of the daytime series The Talk, was gracious enough to sit down with me for a few minutes to talk film. It did not take Mrs. Osbourne long to single out her favourite – the 1962 epic Lawrence of Arabia. She was captivated by the superb scenery and the brilliant cinematography of legendary director David Lean (The Bridge on the River Kwai, Doctor Zhivago), which made this movie and its imagery unforgettable.