A late era entry in the last decade of Sean Connery’s impressive catalogue, Rising Sun (1993), co-written and directed by Philip Kaufman, was brought to the page by Michael Crichton – yes, the mind behind Westworld and Jurassic Park, who helped adapt it from his own novel of the same name, building a woven web of corrupt mysteries and thrills in this edgy crime movie. For James Bond fans, it may bring to mind a direct connection to You Only Live Twice (1967), as in that 007 adventure, Connery plays a character deeply immersed within the Japanese culture

You always know you’re in for something rather interesting when a mysterious drifter walks into some small town in a movie... which is just the case in Red Rock West (1993), a neo-noir infused modern western crime thriller co-written and directed by John Dahl (his brother Rick, the other writer and associate producer). The drifter is Michael (Nicolas Cage – in a more reserved performance), an injured former Marine and rather quiet Texan who is simply looking for some oil field work in Wyoming... but is having no luck. Down to his final five bucks, he drives to the next closest town, Red Rock, and pops into a bar for a drink.

Hanging around in the much darker side of the cave, The Batman (2022), co-written and directed by Matt Reeves, follows in the same playing card suit as the 2019 psychological thriller Joker, further showing off the more dilapidated, delinquent strewn streets of Gotham and its equally as sinister and Machiavellian criminals/political landscape. Feeling a tad closer to an Indie produced marauding neo-noir than your prototypical comic book movie, this iteration of the Caped Crusader is not your more traditional Bruce Wayne/Batman (Robert Pattinson – Tenet; The Lighthouse), in fact

There is no doubt that Tom Cruise has taken up much of the action attention over the past couple years with his possible finale of the Mission: Impossible franchise... which was released earlier this summer. Yet, there is another action franchise that also deserves some viewership –Jackie Chan’s Police Story, which started in 1985 and most recently hit theatres in 2013 (though there is talk of another one in the works). With parts one and two already reviewed here on Filmizon.com, here goes number three – which is sometimes called Police Story3: Supercop, but in North America is usually referred to simply as Supercop (1992). Directed by Stanley Tong – his first of six directorial collaborations with Jackie Chan, the star returns once more as Insp. Chan Ka Kui, this time often being referenced as the titular Supercop. Grudgingly sent by his longtime friend and boss ‘Uncle’ Bill Wong (Bill Tung) from his home in Hong Kong over to mainland China to help run a dangerous undercover sting on an underground drug smuggling operation, he must also leave behind his longtime girlfriend May (Maggie Cheung) for at least a month.

Sometimes you wonder how you missed a film back in the day. The 1990s were a wild age for silly comedy gold...the crop of Saturday Night Live at the time spawning an era of laughs on the big screen – Mike Myers bringing forth Wayne’s World and Austin Powers, Chris Farley and David Spade doing the buddy comedy thing in Tommy Boy and Black Sheep, Adam Sandler bringing Billy Madison, Happy Gilmore, The Wedding Singer, and The Waterboy to the world, Will Ferrell and Chris Kattan offering their famous tv skit to the big screen with Night at the Roxbury, and Molly Shannon showing that she truly was a Superstar. Yet somehow, after all of these years, I only just discovered Dirty Work (1998), a cult classic co-written and starring Norm MacDonald (the only film on his writing credits). Directed by, of all people, Bob Saget (yes, Mr. nice guy father Danny Tanner from Full House finally bringing his dirty stand up side out), it oozes 90s oddball comedy. Feeling like gazing into Norm MacDonald’s quirky meta-mind while he dreamily acts his way through an hour and twenty-two minutes of a never before seen comedy routine – if you love the guy’s eccentric shtick, then you’ll probably dig this, but if you’ve never been a fan, then this is probably not for you.

No one in their right mind would ever cast one of the biggest young starlets of the 1930s – Constance Bennett, to play an ordinary plain Jane secretary in a movie. . . but, of course, that’s exactly what Hollywood decided to do in 1930 with the Pre-Code romantic dramedy Sin Takes a Holiday, directed by Paul L. Stein. Bennett plays Sylvia Brenner, a near constant on-call secretary working late nights for a snooty playboy divorce lawyer named Gaylord Stanton (Kenneth MacKenna). Liking nothing better than playing the field with both married and unmarried women (though it seems like he prefers the former better), and then having some fun joking around with his group of friends, including the somehow even snootier barrister Reggie Durant (Basil Rathbone – this at the end of his matinee idol first run... making it big five year later... add another four years and he’d take on his most famous role of Sherlock Holmes), this lifestyle soon backfires on him after a divorcing dame client, Grace Lawrence (Rita La Roy), is looking for a proposal from him as she starts her immediate rebound.