Films That Matter
Johnny on the Spot
There is no doubt that Roberto Benigni will forever have his name etched in the annals of film history after his Academy Award winning film Life is Beautiful – which took home Best Foreign Language Film, Best Score (for Nicola Piovani), and brought forth a most special moment when Benigni climbed atop the seats of the theatre to accept his Best Actor award. Yet, it is a bit of a shame that some of his pre-1997 works are lesser known outside of his native Italy. Case in point, the comedy Johnny Stecchino, circa 1991. Co-written (along with Vincenzo Cerami), directed and starring Benigni, he plays the titular character as well as a near identical lookalike of the man (who is actually our protagonist). Here’s a quick translation – Stecchino means toothpick. So, to explain, Dante is a charming yet rather simple bus driver (who is also trying to pull a disability scam with the government), when one day, he luckily. . . or perhaps unluckily, almost gets run into by a beautiful woman named Maria (Nicoletta Braschi – Benigni’s real life wife) – who seems to be immediately intrigued by the man. As she would exclaim – “Santa Cleopatra!”
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Star Pick with Joe Gatto
No Ordinary ‘Joe’kerYoung FrankensteinMarch 12, 2023I was fortunate enough to get a quick interview with Joe Gatto after his first ever comedy show in Ottawa on March 3rd, 2023. For those of you who have somehow missed him over the years, Gatto has brought joy and hilarity to the world with buddies Sal, Q, and Murr on the comedy series Impractical Jokers. After nearly a decade on television (creating worldwide catchphrases like: “Scoopski potahtos”, “Larry!”, “Up your ass and to the left”, “Who vants to paint!”, as well as so many others), Joe parted ways with the Jokers after nine seasons to focus more on family. Despite this, you’ve had ample chances to stumble upon him – sometimes with his buds as the Jokers go viral on Youtube, or by way of his very active social media accounts... and, of course, on his comedy tours. His first time in Canada, he regaled the audience with a fantastic combination of outright jokes, venue improv, past stories, and his own unique brand of physical comedy. After nearly a two hour show (which included his friend and opener Jiggy – who has also made some appearances on Impractical Jokers), the audience left with a number of jokes and stories that could make anyone laugh, as well as several local gags that only those attending would get (who knew Canadian royalty was sitting in the theatre box).
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Wipe the Slate Clean
Clean SlateJanuary 5, 2022Riffing on the gumshoe detectives of yesteryear, 1994's Clean Slate, directed by Mick Jackson, is a bit like a comedic and much less complex version of Christopher Nolan’s Memento (2000). Poor Maurice Pogue (Dana Carvey) has a lot going on in his life: a former LAPD detective, the private eye will soon be taking the stand. . . as he witnessed a murder by a notorious one-thumb-missing gangster, Philip Cornell (Michael Gambon) – who’s always accompanied by two menacing bodyguards (Mark Bringelson and Christopher Meloni); though the supposedly murdered woman, Sarah Novak (Valeria Golino), has returned looking for the PI’s help – or is she simply a well chosen lookalike
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Christmas in Earnest
Ernest Saves ChristmasDecember 22, 2021A very different type of Christmas classic, 1988's Ernest Saves Christmas, directed by John R. Cherry III, is where season’s spirit meets slapstick comedy, saving Santa comes by way of snakes, and a taxi driver can concoct a plan to salvage Christmas morning for millions of youngsters. The third movie of the Ernest (Jim Varney) franchise finds the man driving taxi in Orlando (in fact, this was the first film to be shot at the new Disney/MGM Studios). Akin to limo driver Lloyd Christmas in Dumb and Dumber, his heart and soul is bigger than his brain. A huge lover of the holiday season, Ernest is pleased to give a man claiming to be the real Santa Claus (Douglas Seale) a ride.
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Calling All Demons
We Summoned a DemonOctober 29, 2021Reveling somewhere between cheesy 80s horror flick and Abbott and Costello buddy comedy slapstick, the 2017 short film We Summoned a Demon, written and directed by Chris McInroy, is six minutes of pure horror comedy goodness. Following a pair of less than cool guys, Kirk (Kirk C. Johnson) and Carlos (Carlos Larotta), they are really pulling at straws. . . as they’ve decided to attempt a satanic ritual to make the former a slick talking pick-up artist (of course, it’s all about getting a girl). After a ‘slight’ blood mishap, they inadvertently summon a glowing yellow eyed demon with horns that could qualify as overcompensating (John Orr).
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Stand On Guard
The Second DeathThe GuardMay 18, 2021By now, most film fanatics have discovered the works of playwright turned film maker Martin McDonagh, starting with the 2004 short film Six Shooter (it earned him an Oscar), he then went full length with 2008's In Bruges (it quickly became an acclaimed cult classic), next heading Stateside with the rather violent 2012 comedy Seven Psychopaths (again, garnering much praise), only for his fourth, and to date, final effort, 2017's Three Billboards Outside Ebbing, Missouri, to earn multiple Academy Award nominations (including two wins. . . while many believed it should have won Best Picture as well). While we wait for his still untitled next feature (which is currently in pre-production), perhaps some of you have yet to discover his very talented brother, John Michael McDonagh. Today, I’ll introduce you to the short film that started it all, as well as the full length feature that blossomed out of it.
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Amateur Hour
The AmateursMay 13, 2021You just have to wonder if the overt sentimentality of a Frank Capra-type picture can’t work with a twenty-first century mindset. . . known as Capracorn, his movies were so sweet that they would even cause a perfectly healthy individual to get diabetes. Case in point, 2005's The Amateurs (sometimes known as The Moguls), a movie so obscure, a teacher makes more money in one year than it grossed at the box office. Panned by critics and never given a chance at the box office, it was relegated to a grim alternate reality akin to Pottersville. Written and directed by first time film maker Michael Traeger (sadly, this is still his only directorial credit), he follows the Capra mold, finding a rather ironic storyline to juxtapose the heart-filled tale.
