They Call Him the Working Man

2023's Sisu, written and directed by Jalmari Helander, is a Finnish word that does not translate easily to the English language, perhaps best explained as a sort of persistent rational determination in the face of much adversity... the perfect explanation for this Finnish/American co-production. Thriving in a very old reverse-hybrid form of Nazisploitation combined with classic western motifs and more than a splash of modern John Wick flair, Sisu follows Aatami (Jorma Tommila), a grizzled gold miner in the decimated Finnish Lapland nearing the end of World War II. Finally striking it rich, he transports it back to civilization with his loyal dog at his side.

After all these years, it is almost hard to believe that the key to success in an intricate Mission: Impossible adventure would literally be... a key. Yes, that is the all important piece that must be gathered in the seventh feature of the long running franchise, Mission: Impossible - Dead Reckoning Part One... with the bookend making its way into theatres in approximately one year. Co-written and helmed once more by Christopher McQuarrie (this is his third straight effort), it is quite clear that he has the formula down to a tee. Deftly fusing high stakes action, sight-seeing adventure, perfect comedic timing, and enough drama to keep even the more serious viewers involved, Ethan Hunt (Tom Cruise) finds himself in a, dare I say it, even more impossible situation than ever before.

Covering some new and old ground in the longest feature of the franchise (coming in at a whopping two hours and forty-nine minutes), John Wick: Chapter 4, directed by Chad Stahelski (who has helmed each of the four films), starts us off pretty much right after the previous picture. Flipping the script a bit from the last one, Wick (Keanu Reeves), now healed (boy, does he do that quickly – though it’s supposed to be a couple months later), must deal with the claustrophobic landscape that has enveloped him due to his unsatiated revenge-filled drive. Walking the perilous path of dealing with hitmen, as well as friends and enemies (who can often switch allegiances on a dime), the memorable faces of the underground web weaver – the Bowery King (Laurence Fishburne), New York powerhouse – Winston (Ian McShane), his trusty concierge – Charon (Lance Reddick, who sadly passed away on March 17th), and the head of the table – Elder (George Georgiou), will all make appearances again... though perhaps not in the ways we might expect.

Trying to find a playful voice somewhere between a Guy Ritchie gangster flick and Quentin Tarantino (primarily Kill Bill and Pulp Fiction), Bullet Train (2022), written by Zak Olkewicz (based upon Kōtarō Isaka’s novel “Maria Beetle”) and directed by David Leitch (Atomic Blonde; Deadpool 2), does miss from time to time, but it still packs quite the walloping punch. Getting the most out of its fantastic setting, Bullet Train is set on, you guessed it, a bullet train. A journey from Tokyo to the end of the line in Kyoto, there is no better location for a comedic tinged action thriller than on a stunning yet inescapable mode of transportation. Providing a claustrophobic, ultra dangerous environment for our protagonist, Ladybug (Brad Pitt), he is a last minute replacement for infamous hitman Carver – a surprising blink and you’ll miss it cameo I won’t spoil.

Lawyer by day, vigilante martial artist by night. . . I know, maybe not the most expected combination, but when the courts stop working, sometimes you’ve got to take matters into your own hands. This is the general premise for 1986's Righting Wrongs (it is also known as Above the Law in some circles), directed by Corey Yuen. Hsia Ling-Cheng (Biao Yuen) is a by the books prosecutor who is about to have a rough couple of weeks. First, he is on hand to see his beloved mentor and former law school professor gunned down in New Zealand by relentless thugs attempting to keep a certain lawlessness on the streets (quite the opening scene); then, the key witness in his case, along with seven other family members, are assassinated and incinerated by a group of thugs who believe they are above the law.

There is no denying that I went into 2022's Uncharted, directed by Ruben Fleischer, with rather low expectations... let’s face it, there isn’t a great track record for film adaptations of video games, but somehow this one felt surprisingly enjoyable. Clearly in the vein of many a classic adventure film – think the Indiana Jones franchise, The Mummy (but not the 1930s or Tom Cruise iterations), the original Pirates of the Caribbean, Treasure Island and National Treasure, there is no chance that this will ever reach those sky-high heights, but it does entertainingly fill the gap while we wait for next great adventure flick.