No Caine, No Gain

What do you get when you hand The Suicide Squad reins over (with carte blanche, I might add) to James Gunn.? .? .? an R rated, Guardians of the Galaxy-like extravaganza that dusts curse-laden comedy over the somber DC verse, throwing pails of blood (and even a few blink and you’ll miss it pieces of male and female anatomy) at the screen to wash away its predecessor’s flat formula. Going ‘out-there’, and that’s saying something for this type of feature, Gunn’s gonzo, go-for-broke style finds intelligence spook Amanda Waller (Viola Davis) sending two teams, or should I say squads, of suiciders onto the island of Corto Maltese – a country that has just seen a coup take out their leader, replaced by a non-American ally. Wave one finds Colonel Rick Flag (Joel Kinnaman); daddy’s lil monster Harley Quinn (Margot Robbie); Captain Boomerang (Jai Courtney); long haired Savant (Michael Rooker); piecemeal T.D.K. (Nathan Fillion); Blackguard (Pete Davidson); a javelin carrying guy who is aptly named Javelin (Flula Borg); and, without further ado, a human-flesh loving walking Weasel (Sean Gunn – he also makes a cameo as prisoner Calendar Man).

Next time you see your friends, you might just want to take a gander into their peepers, for if we learn one thing in today’s feature, it’s that Death Has Blue Eyes (aka The Girl Is a Bomb). A 1976 Greek film written and directed by first time film maker Nico Mastorakis (though his more famous cult classic Island of Death was released first, it was in fact made second), this one is a mish-mash of C movie ideas rolled into a honey-trap of underwhelming baklava (sadly, the Greek pastry does not make an appearance in the flick). Feeding off of the James Bond and giallo craze of the time (as well as any other genre they could pop in), financed by the porn king of Greece, and with a budget so low that the writer/director would not earn one penny (or should I say drachma), in the end, it does intriguingly share some similarities with Brian De Palma’s Carrie – which was released the same year as this one. Keep in mind, perhaps, the fact that this is arguably the first supernatural film to be made in Greece – so maybe we can be kind in saying that it has a good concept that just isn’t executed particularly well.

1984's Red Dawn, adapted for the screen and directed by John Milius, has been called many things – ‘the most right-wing blockbuster ever made’, ‘the most violent movie ever made’. . . but, by today’s standards, it is hard to take all of this too seriously (especially that latter statement – things have gotten a whole lot bloodier as time has gone by). An entertaining (if outrageous) B-style movie premise that pulls from old westerns (think High Noon, Rio Bravo and The Cowboys) and guerrilla warfare tactics, this version of 1989 (it is set five years in the future) finds a secret Russian, Cuban, and Nicaraguan alliance bringing with it an unexpected invasion of the United States. . . seen specifically in Calumet, Colorado (this the beginnings of World War III).

“He’s a real nowhere man, sitting in his nowhere land, making all his nowhere plans for nobody. Doesn’t have a point of view, knows not where he’s going to. . .”. A slightly abridged version of the first verse and chorus of The Beatles’ iconic song “Nowhere Man”, these mesmeric lyrics tell the tale of a man afloat in his life with no anchor – lacking the passion, drive, and spirit to make him truly whole. Very much akin to the central character in 2021's Nobody, an action packed film written by Derek Kolstad (the scribe behind the John Wick franchise) and directed by Ilya Naishuller, Hutch Mansell (Bob Odenkirk), is suffering from middle class (and aged) ennui. Though that last statement may sound more like something from Mike Nichols’ The Graduate than an action packed extravaganza, this is a far cry from a character drama.

Sometimes things look good on paper, then translate well to film, and still don’t work at the box office. I am still not quite sure how 2003's The Rundown failed to win over a massive audience (80.9 million made on an 85 million dollar budget). Developing an action frenemy comedy script that deftly mixes the two genres (by Xena: Warrior Princess writer R.J. Stewart), what followed was inspired casting. . . pairing the biggest wrestler of the time (and one of the most charismatic human beings on the planet – The Rock (a.k.a. Dwayne Johnson – who had only dabbled in Hollywood with The Mummy Returns/The Scorpion King), with Seann William Scott, who was just coming off of the success of the American Pie trilogy (as well as some other memorable roles at the time – Road Trip and Old School come to mind), the pair have instant chemistry. It should be no surprise that Vince McMahon is a producer on the project.

The essence of Rambo meeting the good-hearted 'save the community' nature of Billy Jack set within the arena of B movie western style silliness can be found in 1985's Savage Dawn, a little seen wild experience from director Simon Nuchtern. As the hot desert sun roasts the sandy arid landscape of back roads Texas, one motorcycle driving man, aptly named Stryker (Lance Henriksen, never looking more threatening - if that's possible), a speak softly and carry a big stick Vietnam vet drifter with no home, makes his way to the closest thing to it. . . the dying town of Aqua Dulce (an ironic name, as there is no water left in the community). Water once helped the gold mine locale thrive, but now it, and its people, are struggling to survive. It is here that he finds his only true friend, wheelchair bound Tick Rand (George Kennedy) - another former vet with a MacGyver-like ability to fashion deadly weapons out of anything at hand. He also gets reacquainted with Tick's two children, Danny (Michael Sharrett) and Katie (Claudia Udy) - who clearly has a thing for the strong silent type.