It’s funny how things have changed so much over the years, but at the same time, human beings seem to have changed so little. Single men complain about women, while single women complain about men just as much... something discussed quite frequently in the romantic dramedy Three Wise Girls (1932), directed by William Beaudine and based upon Wilson Collison’s novel “Blonde Baby”. Cassie Barnes (Jean Harlow) is a small town soda jerk... and with her shapely body and platinum blonde locks, she attracts all the wrong kinds of men. Having had enough of the lecherous men back home, she makes the move to New York City, quickly finding work (and a whole new crop of creeps) while working the ice cream and soft drink game.
It was an absolute pleasure sitting down with Guy Boucher just prior to the beginning of the 2017-2018 National Hockey League season. At a charitable event for The Children’s Treatment Centre, he was one of the roasters of Ottawa Senators’ assistant coach Marc Crawford, in what can only be termed a hilarious evening. With an impressive start to his coaching career, Boucher began in the Quebec Major Junior Hockey League, capping it off by winning the Paul Dumont Trophy in 2009 – awarded to the personality of the year, while with the Drummondville Voltigeurs. The success brought with it a head coaching job with the Hamilton Bulldogs in the American Hockey League, the affiliate of the Montreal Canadiens, where he took home the Louis A. R. Pieri Memorial Award (coach of the year) in 2010.
It was lovely sitting down with veteran actor Michael Dante at Trekonderoga this past August. In the business for more than sixty years, it was not his original path in life. A top baseball player, he was signed by the Boston Braves out of high school. As fate would have it, he travelled a less expected path, finding his way, through interesting circumstances, into his first feature film, Robert Wise’s Somebody Up There Likes Me, in 1956 (with legendary names like Newman, Duvall and McQueen). Leading to an impressive career, Dante has graced the silver screen in such films as Westbound, Seven Thieves (Edward G. Robinson, Rod Steiger, Joan Collins, Eli Wallach), Kid Galahad (Elvis), The Naked Kiss (with famed director Samuel Fuller), Apache Rifles, Willard, as well as playing the title character in Winterhawk. . . this is just a small sampling of his work.
A striking picture from a unique moment in Hollywood history, Pál Fejös’ 1928 romantic drama Lonesome found itself one of the first transitional films between the silent and sound/talkie era. Originally developed as a Universal silent feature by the Hungarian filmmaker (Fejös, a Renaissance man, was also a doctor, World War 1 medic, anthropologist and explorer), in post-production it was decided that three dialogue scenes would be added – to appease audiences who desired the new effect following The Jazz Singer craze. A short transitional period of about two years followed, as filmmakers and studios began to adapt to the changing world of sound, adding touches of dialogue into their silent pictures.
I was fortunate enough to sit down with legendary heavyweight boxer Gerry Cooney not too long ago. One of the biggest punchers to ever grace the bright lights of the ring, his career spanned from 1977 to 1990, a final record of twenty-eight wins and only three losses (twenty-four of those victories came by way of knockout). A towering six feet, six inches, and with an impressive eighty-one inch reach, the offensive minded boxer dismantled two legends of the sport, Ron Lyle and Ken Norton – leading him to a match with the great Larry Holmes, a spectacular bout that went into the thirteenth round, ending with Cooney losing by TKO. After three more convincing wins, Cooney faced two more formidable foes, Michael Spinks and George Foreman, the latter bringing an end to his illustrious career.
Following in the vein of other epic adventure tales of the past, like The Treasure of the Sierra Madre, Lawrence of Arabia, ‘Aguirre, the Wrath of God’ and Apocalypse Now, writer/director James Gray’s adaptation of David Grann’s The Lost City of Z is a dangerously grand journey into the mysterious jungles of the Amazon. The 2017 feature is based on real life British explorer Percy Fawcett (Charlie Hunnam) – an Indiana Jones type, who, at the start of the narrative, is a military man with low standing due to his father’s previous actions (despite the fact Percy never met him). Looked down upon by the wealthy upperclassmen of the military, he is sent to the Royal Geography Society, where they try to persuade him to survey the border lines between Bolivia and Brazil (as the ever more desirable rubber plantations are leading towards war – the two governments have accepted the British institutions offer to do the job). Though wary, the Society members hint that this could be the perfect way to restore his good name, and Percy decides to take the position.
Though today, The Hollywood Ten sounds like a modern take on a superhero movie, for those who know the film history, it has a much darker meaning. Referencing the ten filmmakers who were subpoenaed for being possible Communist dissidents, thought to be subverting the hearts and minds of the American people, they refused to answer questions directly. Focussing on one of the ten, 2015's Trumbo follows the famed screenwriter through the trials and tribulations of this tumultuous time in American history. Directed by Jay Roach (Austin Powers trilogy; Meet the Parents/Meet the Fockers), Dalton Trumbo (Bryan Cranston) is a highly intelligent yet cantankerous writer, one of the best in the film industry, circa 1947. An ardent Communist who believes in better working rights and pay for those in Hollywood (as well as many other things), he is married to Cleo (Diane Lane), who, despite her soft spoken nature, is in many ways the strong backbone of the family. They have three children.