A film noir with some eccentricities, The Big Steal (1949), directed by then third time film maker Don Siegel (who would go on to make such greats as Invasion of the Body Snatchers, Dirty Harry, and Escape from Alcatraz), plays like a long chase within a longer chase, while the meeting between gent and femme is something akin to a will they/won’t they screwball comedy. The usually laconic Lt. Duke Halliday (Robert Mitchum) is in quite the conundrum, as he has been robbed of a U.S. Army payroll totaling a whopping three hundred grand by swindler Jim Fiske (Patric Knowles). On the lam in Mexico (a rather rare noir location, also think Ride the Pink Horse and Touch of Evil), Halliday is on his trail... but the problem is, so is his superior – Captain Vincent Blake (William Bendix), who, of course, thinks it was actually the Lieutenant who ran off with the money.
If you’re into classic rock music, there may be no better film to watch than Richard Curtis’ 2009 motion picture Pirate Radio (sometimes referred to as The Boat That Rocked), as it provides the viewer with an epic soundtrack as well as a rich retrospective look back at the chaotic era that was the 1960s. Loosely based on a true story, Curtis (who also wrote the screenplay) tells the tale of a group of rogue DJs who anchor in the waters off of Britain (in the North Sea, to be exact), playing rock `n roll music to the masses, much to the chagrin of the classical music loving establishment – wonderfully illustrating the turbulent clashes of chaos found in the 1960s.
The vampire has become over-used in recent years, making the market feel over-saturated. It has become increasingly difficult to find a way to depict something creative and new within the sub-genre, while not departing from all that is intriguing about the creature. One film that expertly pays tribute to ‘creatures of the night’ while concocting a unique and comedic vision is the 2014 mockumentary What We Do in the Shadows.
The saying ‘they don’t make films like that anymore' is often bandied about when it comes to classic movies. It is something that is difficult to quantify or describe as to why it is so, but when you see it, it seems self evident. One motion picture that has this unusual quality is the 1948 film I Remember Mama. I recently spoke to Louise Sorel at CAPE Cornwall. You may recognize the actress if you are a fan of soap operas;
I recently met up with actor Steve Coulter at CAPE Cornwall; he is perhaps best known for his turn as Reg Monroe in the television series The Walking Dead. Coulter has also worked an impressive five times with horror maestro James Wan (he has been directed by him four times as well as being in one of his productions). He plays the role of Father Gordon in Wan’s The Conjuring and its sequel The Conjuring 2. I reached out to him to get a quote on the filmmaker. Coulter had nothing but praise for the man, stating "James’s skill in directing horror is, first of all, based on his ability as a storyteller. He knows how smart the audience is, particularly the horror film audience. As such a fan of the horror genre, he knows the usual shortcuts that are made, and he doesn’t take them. He knows what REALLY scares people. And he is such a masterful filmmaker that he knows how to craft those scares so that they are truly frightening, not just the usual Hollywood jump scares. He’s also a master at building suspense." Keep an eye open for an upcoming Star Pick with the actor in the very near future.
I have recently been hyping several modern westerns (including the 2005 Australian flick The Proposition and the 2015 horror crossover Bone Tomahawk) that have created unique visions that pay homage while adding something new to the historic genre. Another film that fits the mould is the 2015 motion picture Slow West. The meandering tale (written and directed by first timer John Maclean) follows the young, hopeful Jay Cavendish (Kodi Smit-McPhee – The Road) as he journeys westward,
Clutch is a term that is often synonymous with big time athletes in sports. There are certain players that, when the match is on the line, elevate their game to another level. They have the innate ability to shift into another gear, making it feel like they are seeing the game much more clearly than the rest of the athletes. One such National Hockey League player is former New York Islanders’ goaltender Billy Smith. The winner of four straight Stanley Cups from 1980-1983,