Transporting its Italian comic book roots to the big screen, Danger: Diabolik (1968), directed by Mario Bava (Blood and Black Lace) and produced by powerhouse Dino De Laurentiis (Barbarella), plays like a vivid three dimensional escapade that fuses elements of swinging sixties spy chic, an early take on the anti-hero, a greedy twist on the Robin Hood tales of yore, and splashes of kitschy Batman (that is, the television series), all coming together for plenty of frivolous fun. The titular Diabolik (John Phillip Law) is a sort of master thief, a black spandex wearing, Jaguar E-type driving genius who thrives on stealing money from an unnamed European government – which, at best, is incompetent, at worst, corrupt users of their taxpaying base. Though, unlike Robin Hood, he keeps the oodles of cash for himself and his helpful mini-skirt wearing girlfriend Eva Kant (Marisa Mell).
Putting Ryan Gosling and Russell Crowe together as an action comedy duo seems like a rather unorthodox and risky venture. Both have been able to add touches of humour to certain roles in their impressive resumes, yet they have generally been considered dramatic actors – with neither having truly had the chance to test their jocular delivery. So, it is perhaps slightly surprising that the duo have excellent comedic chemistry and timing in their new film The Nice Guys.
"This is why frontier life is so difficult. Not because of the Indians or the elements, but because of the idiots." Truer words may never have been spoken about the western genre; so many of these films seem to have their share of noble idiots who are unprepared yet undaunted by a seemingly impossible task. Though motion pictures featuring cowboys, sheriffs, bandits and the like have taken a downturn over the last several decades, there has been a small resurgence of quality independent westerns that have cropped up over the past year or so. One such movie (which is where the above quotation can be found) is the 2015 horror western Bone Tomahawk.
Often considered the best film of 1989, Spike Lee’s Do the Right Thing sets the tone early with Rosie Perez (who plays Tina) dancing to Public Enemy’s song "Fight the Power". It was rather interesting to learn that Lee was actually influenced by Ann Margret’s opening in Bye Bye Birdie (which has a very different vibe). In any case, what follows is a powerful, character driven dramedy that widely encompasses life, death, race, poverty and everything in between – all found within the neighbourhood of Bedford-Stuyvesant, Brooklyn.
Some stories feel as though they have been with us since the dawning of time. They deal with universal themes of love, coming of age, revenge and friendship. A film that feels like a modern retelling of a long since forgotten tale is the 2012 drama Mud. Clearly based upon Mark Twain’s yarns that feature Tom Sawyer and Huckleberry Finn, the plot follows modern day youths Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) as they come of age on the Arkansas River (a tributary of the Mississippi).
Lately, a lot of people have been suggesting that I watch Deadpool, so I checked it out and can now see why so many have enjoyed it. It has a high-octane frenetic pacing, entertaining dialogue, is a piece of cool filmmaking, and though it is a comic book movie, feels like the antithesis of most other Marvel and DC options. Fast talking Ryan Reynolds stars as Wade Wilson (aka Deadpool), the most unethical superhero you are likely to meet. He has a foul mouth, shoots searing insults, says it like it is, and enjoys killing baddies at a rather alarming rate. As I said, this is not your typical Marvel comic book movie.
I am sure most of you have heard of the classic 1967 crime flick Bonnie and Clyde. Perhaps a film that is lesser known and is also based off of Great Depression bandits Clyde Barrow and Bonnie Parker (though the two characters have different names) is the legendary 1950 film noir Gun Crazy – which, when viewed, will clearly be seen as a precursor to the Warren Beatty and Faye Dunaway offering.