The front door to an apartment swings open... an unseen figure walks through the living area and approaches a beautiful blonde woman wearing a robe as she walks around the bathroom... he then deliberately empties the barrel of his revolver into her – this is the jarring cold opening to the film noir Illegal (1955), and one thing is for sure, it knows how to grab your attention. Funnily enough, this was the third adaptation of the 1929 play “The Mouthpiece” by Frank J. Collins, following Mouthpiece (1932) and The Man Who Talked Too Much (1940) – and they say movies are remade too much today. Flash to Victor Scott (Edward G. Robinson), a district attorney who is wise to all the angles and is graced with a silver tongue. With an unyielding desire to win (he got it from growing up and fighting his way out of the slums), he argues every case like it is his last.
Lately, a lot of people have been suggesting that I watch Deadpool, so I checked it out and can now see why so many have enjoyed it. It has a high-octane frenetic pacing, entertaining dialogue, is a piece of cool filmmaking, and though it is a comic book movie, feels like the antithesis of most other Marvel and DC options. Fast talking Ryan Reynolds stars as Wade Wilson (aka Deadpool), the most unethical superhero you are likely to meet. He has a foul mouth, shoots searing insults, says it like it is, and enjoys killing baddies at a rather alarming rate. As I said, this is not your typical Marvel comic book movie.
I am sure most of you have heard of the classic 1967 crime flick Bonnie and Clyde. Perhaps a film that is lesser known and is also based off of Great Depression bandits Clyde Barrow and Bonnie Parker (though the two characters have different names) is the legendary 1950 film noir Gun Crazy – which, when viewed, will clearly be seen as a precursor to the Warren Beatty and Faye Dunaway offering.
There was always something highly entertaining about the late Patrick Swayze, whether he was having a comedic dance off against Chris Farley on Saturday Night Live, or he was the criminal mastermind of a surfer gang in the action flick Point Break. He always brought a charming, entertaining and realistic human side to the characters that he portrayed. One role that epitomises his varied career is the romantic dramedy Ghost.
As a child, I was enamoured with a kooky Canadian animated short film called The Cat Came Back. Available on VHS (for those of you too young to remember what this is, ask your parents) at my local library, I would take it out every time I entered the historic building. It is likely that I played a huge part in wearing down that cassette tape. Thanks to the National Film Board of Canada, who produced the flick, it is available for free on their website.
Dirty Harry, starring the legendary Clint Eastwood, has to be one of the most iconic characters in film history. Eastwood truly brings the essence of Harry Callahan to life, delivering a gritty performance that captures the hero’s gruff, no nonsense ways and vigilante-style justice. In 1971, the same year Eastwood starred in Dirty Harry, Michael Caine was cast as the lead in a British motion picture called Get Carter, which carries many of the same themes.
Certain novels, and their respective films, capture the beautiful yet complicated nature of the American south. The Adventures of Tom Sawyer and To Kill a Mockingbird are two such examples. A third book that has been transformed into a motion picture that illustrates this intriguing subject is Jon Avnet’s 1991 movie Fried Green Tomatoes.