A film noir with some eccentricities, The Big Steal (1949), directed by then third time film maker Don Siegel (who would go on to make such greats as Invasion of the Body Snatchers, Dirty Harry, and Escape from Alcatraz), plays like a long chase within a longer chase, while the meeting between gent and femme is something akin to a will they/won’t they screwball comedy. The usually laconic Lt. Duke Halliday (Robert Mitchum) is in quite the conundrum, as he has been robbed of a U.S. Army payroll totaling a whopping three hundred grand by swindler Jim Fiske (Patric Knowles). On the lam in Mexico (a rather rare noir location, also think Ride the Pink Horse and Touch of Evil), Halliday is on his trail... but the problem is, so is his superior – Captain Vincent Blake (William Bendix), who, of course, thinks it was actually the Lieutenant who ran off with the money.
His name, Lucky Gagin . . . or Robert Montgomery for those of you who are looking for the actor portraying this anti-hero. Montgomery, the iconic star, also tried his hand at directing (for the second time), with this rather unorthodox film-noir, Ride the Pink Horse. Our lead walks off a bus and into the city of San Pablo, a Mexican border town that is getting ready to host an annual fiesta.
The horror genre has many incarnations. The two that seem to be most popular as of this point are the slasher flick (i.e. Saw) or the based-on-true-events-style ghost story – à la Paranormal Activity, The Conjuring and so on. From time to time we may see a more traditional, even Victorian-style ghost story such as Crimson Peak or The Woman in Black, but the film I am reviewing today is much harder to pigeonhole, as it is part searing psychological drama, which is then mixed with Gothic horror and a touch of thriller. It is Nicolas Roeg’s 1973 slow-burner of a picture, Don’t Look Now.
The Academy Award Best Foreign Language Film from 2015 transports us back to 1960's Poland, where a young nun named Ida (also the name of the movie) will soon be taking her vows. Prior to doing so, the inexperienced girl takes a trip to visit the only family she has left living, an aunt named Wanda that she has never met.
It is rather unusual to see a film-noir made in glorious Technicolor – though this is exactly what the 1953 crime thriller Niagara is. Director Henry Hathaway swaps the moody shades of black and white for strikingly vivid colours as we watch two couples cross paths in stunning 1950's Niagara Falls, Ontario (the film was almost completely shot on location).
I am excited to announce that a new feature has come to Filmizon.com – the ability to do a Dual/Duel movie review. I can think of no better way of putting the new set-up to the test than comparing one of the best films of 2008 – Clint Eastwood's Gran Torino, to a lesser known, but equally strong picture – 2009's Harry Brown, starring Michael Caine.
The Cold War was a truly unique, interesting and scary time when the whole world felt upside down – how else can you describe a worldwide conflict where tensions could not be higher yet bullets and bombs were not being fired. Paranoia, fear and propaganda ruled the day as two very different ideologies, brought forth by two powerhouse nations, fought for the hearts and minds of the world’s populace. It is in this intense setting that Steven Spielberg re-teams with Tom Hanks to make the harrowing, fish-out-of-water story Bridge of Spies.