It was an absolute pleasure to meet and get a quick interview with the great Kurt Angle this past summer in Ottawa. First making a name for himself on the amateur wrestling circuit, it all culminated with a gold medal win (with a broken neck, no less) at the 1996 Summer Olympics held in Atlanta, Georgia. The ultimate achievement for most amateur athletes, this was not the end for Angle, but only the beginning. Just a mere two years later, he had signed on to the World Wrestling Federation (now the WWE or World Wresting Entertainment), a leap that would soon find him taking professional wrestling by storm. Making his television debut in November of 1999, he was a natural, not only at the wrestling, but also on the mike.
Though most people would call the highly regarded Academy Award nominated film Room a searing drama, to me, if you boil it down to its base element, it is a horror picture – not the type that we now call horror, with chainsaws, gore and excessive violence, but one that causes the viewer to feel fear and shock in the most realistic and human of ways, thus making it a very powerful and hard-hitting viewing experience. And a highly worthwhile one at that.
There are a wide array of interesting and unique motion pictures nominated for this years 88th Academy Awards – from big budget epics to small time period pieces. One that follows the former is the Ridley Scott space saga The Martian.
Abe Vigoda passed away today at the age of 94. Vigoda enjoyed a long career in the film and television world, with standout roles in The Godfather Part 1 and Part 2 as well as in the comedy series Barney Miller. Though, perhaps more recently he is best remembered for his short but vital part in the hilarious Superbowl Snickers commercial featuring Betty White. In honor of Vigoda, The Godfather Part II will be reviewed here today.
There is something that has always drawn me to movies that are set on trains. This unique setting boasts many themes that a screenwriter and director can play with. Not only does it lend itself to a claustrophobic place for a mystery thriller, but it also may symbolize the old world, romance or an epic journey. There is also the thinly veiled partition that separates class divisions (travel through a door and you may have plain economy style or lavish burled walnut compartments with sleek curtains where the richest of the rich relax).
It is usually quite easy to spot a film that is based on a stage play, as the movie is generally set in one, never-changing location. Alfred Hitchcock’s Rope and Gene Saks’ The Odd Couple are just two examples of iconic films that originally came from the stage, and the same can be said for the movie being reviewed here today – the 1944 Frank Capra black comedy Arsenic and Old Lace.
I spoke to character actor Ron Perlman recently about his favourite films. The veteran performer, who has been in motion pictures and television for more than thirty-five years, shot to fame in the late eighties with the show Beauty and the Beast. He has not stopped since, taking on numerous memorable roles in series such as Sons of Anarchy and Hand of God as well as in films like Hellboy, Drive and Pacific Rim, to name but a few. He has worked with horror maestro Guillermo del Toro an impressive six times – calling the director an absolute genius.