Ymir Fear in Roma

One of those rare movies that has been slowly reappraised with time, Kenny Ortega’s 1993 Disney family flick Hocus Pocus was panned by critics upon its release. Much like other films, including It’s a Wonderful Life, television played a major role in its rejuvenation (as well as its release for home purchase), finding a more than willing audience each and every Halloween as part of ABC Family’s 13 Days of Halloween – grabbing well over two million viewers (record breaking numbers) and transforming it into a true cult classic. At the third annual CAPE (Cornwall and Area Pop Expo), I chatted with up and coming actress Kimberly Leemans. Getting her start on America’s Next Top Model back in 2007, she has transitioned into the realm of television and film. Perhaps best known for her turn as Crystal in the first Hilltop episode, 2016's "Knots Untie", in the hit television show The Walking Dead, she had the unenviable task of punching fan favourite Rick right-off-the-bat. . . she is then taken down by Michonne. Still wandering around in the zombie filled world, we will have to wait and see when she reappears.

Some time ago, I was fortunate enough to attend a special screening of the Tribeca Audience Award Winner for Best Picture, Here Alone, at an event held by the St. Lawrence International Film Festival in Potsdam, New York. In attendance were director Rod Blackhurst, writer David Ebeltoft and producer Noah Lang. Over the next several weeks, each of their respective Star Picks will be posted (in honour of the release of the film in theatres), each with a lengthy interview that should give you an insight into the world of movie making from three talented up and comers in the industry. Today, I introduce Noah Lang. Son of talented character actor Stephen Lang (Avatar; Don’t Breathe), Noah has had a fruitful start to his career. With a wide array of films to his name already, he also produced another feature that was shown at the St. Lawrence International Film Festival, the well received Band of Robbers, though Here Alone is what I am going to focus on today – as it has solid momentum heading into its release. Lang’s work on the project is detailed quite nicely in the interview, and it will most likely say more that I can say here with the written word, so check it out below. It will give you insight into Here Alone, a clear picture for those unsure as to what a producer actually does, an idea of the complexity of the business, as well as so much more.

It is hard to fathom that Frank Capra’s classic feature It’s a Wonderful Life turns 70 this year (on December 20th to be exact). A movie of vital importance to millions of people the world over, it has not only become a Christmas staple, but also a yuletide tradition for many a family, though this was not always the case. Getting off to a more than sluggish start (losing major money at the box office), it was not originally a hit (or believed by most critics that it would ever leave an impactful mark on the spools of film history). In a miracle befitting of the fantasy drama, the tides for the downtrodden film turned around in the 1970s (thanks to a fortunate copyright lapse), finding a more than accepting audience on the television screen. Taking off, it has gained the traction director Capra once had hoped for, for his story – though he never truly expected it to get a second chance. He actually said (to The Wall Street Journal in 1984): "It’s the damnedest thing I’ve ever seen. . .The film has a life of its own now and I can look at it like I had nothing to do with it. I’m like a parent whose kid grows up to be President. I’m proud. . . but it’s the kid who did the work. I didn’t even think of it as a Christmas story when I first ran across it. I just liked the idea."

A little while ago, I was fortunate enough to be able to interview The Right Honourable Kim Campbell, the 19th Prime Minister of Canada (and to date, the only female to land the top job), about her favourite film. Transporting me to ‘the most wonderful time of the year’, she illuminated me as to her Christmas program watching traditions. She explained that, each time December comes around, she makes time to gather round the television with her entire family and watch, back to back, The Muppet Christmas Carol starring Michael Caine, followed by the classic 1951 version of A Christmas Carol, with Alastair Sim taking on the legendary role of Ebenezer Scrooge. She lit up talking about her family custom, clearly cherishing the memories made by gathering the family to watch these two festive films. As I am only able to review one film as part of the Star Picks section, I will be looking at the 1951 incarnation of the Charles Dickens’ tale. Make sure to track down the Muppet version as well to get the full Prime Ministerial experience. Arguably the most iconic version of the miser, Alastair Sim has been etched in the collective psyche as the perfect Scrooge. With his receding hairline, bulbous eyes and curmudgeonly attitude, it is easy to buy him as a true hater of all things Christmas.