Wise Gals

Though most people would call the highly regarded Academy Award nominated film Room a searing drama, to me, if you boil it down to its base element, it is a horror picture – not the type that we now call horror, with chainsaws, gore and excessive violence, but one that causes the viewer to feel fear and shock in the most realistic and human of ways, thus making it a very powerful and hard-hitting viewing experience. And a highly worthwhile one at that.

If there is one thing that films often lack, especially in the twenty-first century, it is a solid script. One classic motion picture that demonstrates a near perfect screenplay is the iconic 1957 movie 12 Angry Men.

Sometimes the opening credits of a film can signal the type of experience you are in for and this is clearly the case with Gary Gardner’s The Nymphets. The credits are large, bold and frantically paced, which, along with the similarly themed musical score, highlights that we are in for quite the ride.

It is not often that I am able to review a movie that claims to be an Irish Shakespearian Western, but that is simply, or perhaps complexly, what Patrick Ryan’s feature film directorial debut Darkness on the Edge of Town is.