Unlike most other memorable Hammer horror movies, the 1964 mystery thriller Nightmare, directed by Freddie Francis (perhaps better known as the cinematographer of films like David Lynch’s The Elephant Man and Martin Scorsese’s Cape Fear) eliminates all of the monsters for an old fashioned quasi ghost story... the piece deserving to be remembered up there with those Hammer horror films centered on vampires, resurrected corpses, and lycanthropes. Shot in shadowy black and white, the story follows struggling seventeen year old Janet (Jennie Linden), who is currently away from home living at a finishing school for girls.
Unlike most other memorable Hammer horror movies, the 1964 mystery thriller Nightmare, directed by Freddie Francis (perhaps better known as the cinematographer of films like David Lynch’s The Elephant Man and Martin Scorsese’s Cape Fear) eliminates all of the monsters for an old fashioned quasi ghost story... the piece deserving to be remembered up there with those Hammer horror films centered on vampires, resurrected corpses, and lycanthropes. Shot in shadowy black and white, the story follows struggling seventeen year old Janet (Jennie Linden), who is currently away from home living at a finishing school for girls.
In the same vein as other recent one man versus the world action films like Taken, The Equalizer, John Wick, and Nobody, 2024's The Beekeeper, directed by David Ayer, captures the same formula of stylish action combating rampant corruption that should appease fans of this style of flick. Following quiet man Adam Clay (Jason Statham), the retired gent spends all of his time as an apiarist – that is, a beekeeper. Renting space in a rural barn from a former teacher and avid charity worker, Eloise Parker (Phylicia Rashad), she is the first person to really show compassion and care for the reclusive renter.
An Indie sci-fi film on the precipice of where we might be heading, Creep Box, written and directed by Patrick Biesemans (and based upon his own short from 2022), ruminates on a hybrid artificial intelligence that is both intriguing and terrifying. Following Caul (Geoffrey Cantor), a PHD in psychology and parapsychology at HDTH Corp, he is currently working on a sleek black tech box... a device that can be used to collect the memories of the dead, which are then fused with an A.I. that can utilize the past of the deceased to not only communicate with loved ones, but also gather information that could lead to solving crimes of those who have been murdered.
Who knew that killers in a giallo could accessorize... for in The Killer Nun (1979), the prototypical black gloves are replaced with a colourful pair of pink ones – much more fashionable. Co-written and directed by Giulio Berruti, he fuses the aforementioned themes of the giallo with the growing craze of nunsploitation...as well as being loosely based on the real story of Belgian nun Cecile Bombeek. This sordid tale follows Sister Gertrude (Anita Ekberg), a middle aged nun who has recently had some rather serious health problems. Having recovered from brain surgery, she is quite hysterical... fearing that she is still sick and in need of care. Leading her through an almost male-like form of mid-life crisis, dare I say that she starts quite a few bad habits: a serious addiction to morphine, leaving the hospital she works for in order to have affairs with unknown men, and creating a rather unique bond with her busty roommate nun, Sister Mathieu (Paola Morra) – you might call them bosom buddies, or breast friends with benefits – okay, enough.
The third film from writer/director Brandon Cronenberg (son of body horror maestro David), 2023's Infinity Pool, which follows 2012's Antiviral and 2020's Possessor, shows a penchant for the same bodily flair his father has, but also hones in on the devolution of humanity and the soul. Following a married couple, James and Em Foster (Alexander Skarsgård and Cleopatra Coleman), he is a less than middling author, having released a single critic-slammed novel that has left the man with a serious case of writer’s block... while she comes from money and sometimes seems more like a patroness than significant other.
Now three movies in, there is no doubt that Robert Eggers is one of the more creative minds working in the film industry today. With The Northman (2022), the co-writer (along with Sjón), director, and producer brings forward his most accessible piece yet... but that doesn’t mean that this is not as creative, intricate, challenging, or authentic as his The VVitch and The Lighthouse. This time taking a deep dive into Norse history and mythology, it might surprise some that the main source they worked from was the story of Amleth... a tale which appears in the “Gesta Danorum” (History of the Danes) – as it is also the main inspiration for William Shakespeare’s Hamlet (it is easier to spot the similarities once you are aware of the connection).