They Call Him the Working Man

10 days: that was how long it took to film the 1963 B-movie Shock Corridor. Originally advertized as an exploitation picture (and it does have some of those elements), Samuel Fuller’s film about a journalist who has himself committed to solve a mysterious murder is so much more than its original label.

It is generally believed that tv movies are pretty average fare. It is rare that a film released on the tube can transcend this preconceived notion and be considered a great movie, yet this is the case with the excellent 1983 flick The Scarlet and the Black.

It Follows is a surprisingly creative new horror picture that avoids using gore and builds its atmosphere the old-fashioned way, taking the typical sex-crazed teen motif and flipping it upside down to create a novel and interesting picture.

On a cold and blistery winter’s night (Friday, February 12th, 2016 to be exact), where drivers were hit with snow squalls, white outs, icy roads and frigid temperatures, more than three hundred people made their way to the seventy-five year old historic Port Theatre in Cornwall, Ontario to attend the first movie premiere the city has ever held. Though some arrived late and others would not make it to the cinema (some having to turn around, while others had to be towed home), most arrived unscathed, gathering to mingle in the lobby as writer, director, producer, editor and actor Marcus Ovnell waited to graciously greet the attendees.

Adam McKay, the comedic director best known for films like Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby and Step Brothers, takes a much more serious turn in the Academy Award Best Picture nominee The Big Short.