There may be no better film to fit within the ‘What Could Have Been’ category than New York Ninja. Filmed all the way back in 1984 by famed martial artist John Liu in the Big Apple, as things progressed, they really didn’t... as 21st Century Film Corporation Inc. was going through financial issues and internal changes – meaning the money dried up. Soon, the movie, though relatively close to completion, was shelved, leaving it to sit ignored for close to 35 years. Never edited into any sort of complete form (nor having a soundtrack created for it), as the years passed, all the sound that was recorded was lost to time – leaving just the raw footage (there wasn’t even credits or notes for any of the actors who worked on the project).

Vittorio De Sica’s 1948 classic Bicycle Thieves is a prime example of Italian Neo-Realism. The genre, which spanned a short ten or so year period during the 1940s and 1950s, highlighted life of ordinary, working class (and often impoverished) individuals who were dealing with the stresses of day to day life in Italy during or shortly after World War 2. Previously, Italian filmmakers had had their artistic scope and perspective limited by the fascist government of Benito Mussolini (for more than twenty years) and this style of motion picture was a reaction to it. Filmed in a semi-documentary fashion (typically on a low budget), the streets of Rome and other cities were used instead of the safety of studios to depict relevant social themes of otherwise common people.
Friendship, something we can all hopefully relate to. We all strive to have long-lasting bonds with at least a few people throughout our lifetime. A movie that takes a look at the ups and downs of a lifelong friendship is the 1988 Garry Marshall film Beaches. I recently chatted with actress Eliza Dushku, who has had a fruitful career in the business. In her early teens, she was already procuring roles in relevant titles such as This Boy’s Life and True Lies. She then went on to co-star with Kirsten Dunst in one of her major break-out roles in the cheerleading movie Bring It On.

I have always been fascinated by directors who utilize long takes in their films. By concocting a lengthy shot, filmmakers expect the most from their actors as well as the cameramen, and in so doing, make the audience feel as if they are walking the same path that the characters are journeying. Numerous directors have been successful at elongating the editing pace in which we are accustomed to, a few that immediately come to mind are Brian De Palma, Alfonso Cuarón and Martin Scorsese.
Each generation has a select few films that push the boundaries of their era – changing the way in which people saw motion pictures and (usually) creating a new freedom for future filmmakers to delve deeper into those controversial themes that were first explored in the edgy flicks. One such movie is Fred Zinnemann’s 1953 motion picture From Here to Eternity. A major risk for Columbia at the time ), the decision paid off, as it was a major financial success and won eight Academy Awards (including Best Picture, Best Supporting Actor and Actress – for Frank Sinatra and Donna Reed, Best Director, etc.).

Back in the early 1980's, Polish writer/director Krzysztof Kieslowski made a film titled Blind Chance, which scrutinized the concepts of luck, predetermination, and how one minuscule happening (through blind chance) can change your life in wholly different ways. Filmed at the heart of the Solidarity Movement in Poland (a time when people rose up against the Communist government in the form of a trade union first led by Lech Walêsa – which led to greater freedom for a few years), Kieslowski

I must admit that martial arts action flicks have never been my favourite. That is not to say that I will not watch them, it is just that I generally lean towards other styles before I would choose this type of movie. I recently saw the 2011 action film The Raid: Redemption, a motion picture that falls within this genre and was impressed by its extensive fight scenes.