hough today’s feature is immediately sited as a science fiction classic, Fred M. Wilcox’s Forbidden Planet (1956) is perhaps just as well remembered for its majestic original robot and pinup infused movie poster design (that is still, to this day, a costly collectible)... though the art is quite misleading when you know what the movie is actually about. Following a narrative loosely inspired by William Shakespeare’s “The Tempest”, which, for those who do not know, is about a man forced to live stranded upon a magical island with his daughter, until he causes a shipwreck that brings with it possible rescue (and a man who may fall in love with his daughter)... this futuristic feature follows a somewhat similar sci-fi blueprint.

The horror genre has many incarnations. The two that seem to be most popular as of this point are the slasher flick (i.e. Saw) or the based-on-true-events-style ghost story – à la Paranormal Activity, The Conjuring and so on. From time to time we may see a more traditional, even Victorian-style ghost story such as Crimson Peak or The Woman in Black, but the film I am reviewing today is much harder to pigeonhole, as it is part searing psychological drama, which is then mixed with Gothic horror and a touch of thriller. It is Nicolas Roeg’s 1973 slow-burner of a picture, Don’t Look Now.

The Academy Award Best Foreign Language Film from 2015 transports us back to 1960's Poland, where a young nun named Ida (also the name of the movie) will soon be taking her vows. Prior to doing so, the inexperienced girl takes a trip to visit the only family she has left living, an aunt named Wanda that she has never met.

It is rather unusual to see a film-noir made in glorious Technicolor – though this is exactly what the 1953 crime thriller Niagara is. Director Henry Hathaway swaps the moody shades of black and white for strikingly vivid colours as we watch two couples cross paths in stunning 1950's Niagara Falls, Ontario (the film was almost completely shot on location).
I am excited to announce that a new feature has come to Filmizon.com – the ability to do a Dual/Duel movie review. I can think of no better way of putting the new set-up to the test than comparing one of the best films of 2008 – Clint Eastwood's Gran Torino, to a lesser known, but equally strong picture – 2009's Harry Brown, starring Michael Caine.

The Cold War was a truly unique, interesting and scary time when the whole world felt upside down – how else can you describe a worldwide conflict where tensions could not be higher yet bullets and bombs were not being fired. Paranoia, fear and propaganda ruled the day as two very different ideologies, brought forth by two powerhouse nations, fought for the hearts and minds of the world’s populace. It is in this intense setting that Steven Spielberg re-teams with Tom Hanks to make the harrowing, fish-out-of-water story Bridge of Spies.

10 days: that was how long it took to film the 1963 B-movie Shock Corridor. Originally advertized as an exploitation picture (and it does have some of those elements), Samuel Fuller’s film about a journalist who has himself committed to solve a mysterious murder is so much more than its original label.