Some might know that icon Mario Bava is often considered to be the first filmmaker to make a giallo with 1963's The Girl Who Knew Too Much... though unless you’re a big fan of the genre, many will probably not know that his son, Lamberto Bava, continued on with the gialli tradition well past its heyday in the early 1970s – releasing a number of horror tinged mystery thrillers, including today’s Delirium (1987)... sometimes also known as The Photo of Gioia. Welcome to what very well could be the Italian rival of Hugh Hefner’s Playboy, fluffily called Pussycat – a high end nudie magazine that brings some class (and a bit of kitsch) to artistic nude photography. Run by former supermodel Gloria (Serena Grandi), she inherited the business when her husband tragically died.
I can only imagine how difficult, lonesome and melancholic a solo journey across the Atlantic Ocean must have been for the numerous immigrants who travelled from Europe to North America – especially those who made the journey before technology and ingenuity made things, for lack of a better word, easy.
It is quite clear that a good story is a vital part of making a quality film. Yet, in certain rare circumstances, the narrative can play a less important role than the majestic visual aspects of storytelling. It can be a risky proposition, and one that rarely works, but when it does, the audience is in for one exciting and mesmerizing ride. This is the case with the Academy Award Best Picture nominee Mad Max: Fury Road.
Marcus Ovnell, the writer/director of the excellent Swedish film The Break-In, is flying down to Cornwall, Ontario, Canada to premiere the above mentioned movie at the historic Port Theatre on Friday, February 12th, 2016 at 7:15 P.M. As a lead up to the very special event, enjoy this interview with the filmmaker from when we spoke at the St. Lawrence International Film Festival a few months earlier. It was clear from the very beginning that Ovnell has a great passion for cinema (especially American). Being a gargantuan fan of films, it took him a minute to narrow down his pick, with Shawshank Redemption taking the top spot in the end.
Though most people would call the highly regarded Academy Award nominated film Room a searing drama, to me, if you boil it down to its base element, it is a horror picture – not the type that we now call horror, with chainsaws, gore and excessive violence, but one that causes the viewer to feel fear and shock in the most realistic and human of ways, thus making it a very powerful and hard-hitting viewing experience. And a highly worthwhile one at that.
There are a wide array of interesting and unique motion pictures nominated for this years 88th Academy Awards – from big budget epics to small time period pieces. One that follows the former is the Ridley Scott space saga The Martian.
Abe Vigoda passed away today at the age of 94. Vigoda enjoyed a long career in the film and television world, with standout roles in The Godfather Part 1 and Part 2 as well as in the comedy series Barney Miller. Though, perhaps more recently he is best remembered for his short but vital part in the hilarious Superbowl Snickers commercial featuring Betty White. In honor of Vigoda, The Godfather Part II will be reviewed here today.