A Different Type of Photobomb

Alfred Hitchcock is often considered to be one of the greatest directors of all-time and I would have to agree with that assessment. His genius at building a suspenseful story through the camera lens in films such as Vertigo, The Birds, Rear Window, North By Northwest, to name a few, place him at the top of the list. One active director who would wholeheartedly agree is Brian De Palma.

This week I’m bringing us back ninety-one years to 1923. The silent era was dominated by a few comic juggernauts. Even to this day, the names of Charlie Chaplin and Buster Keaton are synonymous with their great silent films featuring brilliant physical comedy. One name that has almost been lost to time though is Harold Lloyd, who completed the triumvirate of powerhouse comedians in the 1920's.

One global region that has really gained traction and popularity in the film and television industry recently is Scandinavia. With the huge success of Stieg Larsson’s novels that became the highly popular Millenium film trilogy (Girl With the Dragon Tattoo), we have seen these northern European countries develop complex and entertaining stories that usually fall within the noirish crime genre. Television such as Forbrydelsen (The American TV show The Killing is based on this), Wallander, The Bridge, and Borgen (Stephen King’s favourite show of 2012) have not only found their niche in North America, but have also influenced the television and film industry in North America and Britain as well. One such movie that fits within this genre is Jo Nesbø’s Headhunters (the highest grossing Norwegian film of all-time).

This is the second week in a row that I have had to begin with the sad news of another death of a film legend. Joan Fontaine, the actress who gained fame for playing threatened wives to possibly dangerous husbands in the early 1940s, passed away at the age of 96 last week.

My plan for this week was to write a review on the Christmas classic It’s A Wonderful Life, but after the passing of legendary Irish born actor Peter O’Toole, who is best known for his amazing portrayal of T.E. Lawrence in the epic Lawrence of Arabia, I thought it would be fitting to turn my gaze to another darker Christmas movie, the 1968 historical drama The Lion In Winter, directed by Anthony Harvey.

After last week’s action-packed Christmas review of Die Hard, I think it is time to reset our bearings and capture a more Christmas-y feel. The 2003 romantic comedy Love Actually, written and directed by Richard Curtis (Mr. Bean, Bridget Jones’s Diary), fits the bill.