If you had to guess what would be the top grossing British made film in Great Britain in 1974, thoughts would immediately go to the most recent James Bond adventure, The Man with the Golden Gun, or perhaps Roger Moore’s other successful feature of that year – Gold; then your mind might circulate to some of the popular comedy franchises of the time like Carry On (74's being Carry On Dick), or On the Buses (though those were released in 1971, 72, and 73), but instead, it’s the lesser known outside the UK, Confessions of a Window Cleaner... which also spawned three sequels released the next three years – but more on those later.
Though only coming out some seven years into the growing number of low budget Australian exploitation pictures being made – now known as Ozploitation, Patrick (1978) was one of the first to bring outside attention onto these Down Under flicks. A bomb in its homeland but gaining traction in thirty foreign markets (including its all important success in the United States), this Richard Franklin (Psycho II) venture helped put Ozploitation on the map... something fully achieved the next year when Mad Max burst onto the scene.

It’s just never a good sign when you’re honeymooning in the early 20th century Bavarian countryside and your brand new automobile runs out of petrol. The opening of a rather lesser known Hammer horror film (following a little bit of early staking action), The Kiss of the Vampire (1963), directed by Don Sharp, is shockingly without stalwarts Christopher Lee or Peter Cushing. The couple: Gerald (Edward de Souza) and Marianne (Jennifer Daniel), are left with little option. With the former walking ahead hoping for some aid, the latter is soon scared by a storm, bumping into the rather inimical Professor Zimmer (Clifford Evans)... coming across more like a morose vagabond than a learned man. All the while, a man from a hilltop manor, Dr. Ravna (Noel Willman), looks on with intrigue with the use of his telescope.

A clever reworking of the Predator franchise, 2022's Prey, a prequel co-written and directed by Dan Trachtenberg (10 Cloverfield Lane), is set some 250 years prior to what we thought was the alien species first arrival opposite human beings on Earth. Set in the vast Great Plains in 1719, the story follows Naru (Amber Midthunder), a young Comanche woman who has been trained as a healer, though not so secretly yearns to be a hunter. Overshadowed by her successful bow and arrow wielding brother Taabe (Dakota Beavers), she uses whatever free time she has to continue training at the useful skill. It is worth noting that the familial relationship is nicely crafted, not simply one of brutish sibling rivalry (like we’ve seen in other motion pictures), instead holding within it a nuanced combination of direct competition, hunting mentorship, and much needed cooperation.

The second Missed the Bloody Cut horror selection of this 2024, here are some more horror movies that did not meet my strict criteria (a rating of 7.0 or higher). . . but are still entertaining films (horror fanatics may enjoy) that do not deserve to be ignored like an ever growing group of peckish birds – and that are definitely worth a watch (just maybe not several re-watches).

The first Missed the Bloody Cut horror selection of this 2024, here are some more horror movies that did not meet my strict criteria (a rating of 7.0 or higher). . . but are still entertaining films (horror fanatics may enjoy) that do not deserve to be fled from like a creature walking more slowly than a senior with a walker – and that are definitely worth a watch (just maybe not several re-watches).

Loosely based upon Edgar Allan Poe’s 1842 short story, “The Pit and the Pendulum”, the violently titled West German film The Torture Chamber of Dr. Sadism (1967), directed by Harald Reinl, is a meandering 18th century set gothic horror mood piece starring the legendary Christopher Lee. For those of you who revel in the wild extravagance of how some of these European horror pictures have a list of different titles around the world, here we go – The Blood Demon, The Snake Pit and the Pendulum (perhaps an abandoned Indiana Jones title as well), Blood of the Virgins, and lastly, Castle of the Walking Dead. Now, reading that primary title, the first question might be... just who is this Dr. Sadism? And, of course, the answer that only makes sense is that it is clearly no one.