Intriguingly playing like two separate movies, Massimo Pupillo’s Lady Morgan’s Vengeance (1965), opens like a melodramatic romance with a psychologically tinged mystery before its second half genre switch into a much more gothic horror tale. An Italian production, though funnily enough set in Scotland (though that is definitely not English they are speaking), the attractive Lady Susan Morgan (Barbara Nelli), niece of the wealthy aged Sir Neville Blackhouse (Carlo Kechler), finds herself betrothed to Sir Harold Morgan (Paul Muller) when she truly loves the French man who has been hired to restore portions of the massive manor home, Pierre Brissac (Michel Forain).

It is not too often that a mid or post-credit sequence leaves much of an impact as things come to a close. Usually meant to add a few final jokes to a comedy (think Airplance! or Old School), show some silly bloopers, or tease for a future film (Marvel has thrived thanks to these hints pointing towards coming storylines and movies), a rare example of something having a true impact on a narrative is Ryan Coogler’s period horror film Sinners (2025). A most dynamic feature melding many intriguing elements, the first thing that will be noticed is the time and setting – Clarksdale, Mississippi during the Great Depression (specifically 1932). Following twin brothers ‘Smoke’ and ‘Stack’ Moore (both played by Michael B. Jordan), and to a slightly lesser extent their cousin Sammie...

Sometimes a movie doesn’t fit nicely within a genre box. In today’s case, the film touches on bizarre sci-fi dialogue, brings forth some satirical dark comedy, plenty of drama and thrills, and centers on a crime... in other words, it’s another unique vision from Yorgos Lanthimos (The Lobster; The Favourite) – titled Bugonia (2025). . . inspired by the 2003 South Korean motion picture Save the Green Planet! by Jang Joon-hwan. Falling down the rabbit hole with Teddy (Jesse Plemons – Hostiles; Game Night) and his autistic cousin/helpful sidekick Don (Aidan Delbis – an excellent amateur casting of an autistic man), they have done copious amounts of research on the recesses of the internet into an alien species called the Andromedans – that are supposedly secretly residing amongst us while pulling the puppet strings.
It is now quite rare to see an erotic thriller made. Thriving during the late 1980s and into the 90s, in a modern cinematic world that has become more cookie cutter and safe, it just doesn’t seem to fit within the current mold being used in Hollywood. That is why it is a breath of fresh air to see the current success of The Housemaid (2025). And, while we’re on that, it also ties into another film from back in 2009 called Chloe... not only because it falls within the same more adult themed genre, but also because they both star Amanda Seyfried. Starting with the 2025 offering from director Paul Feig, The Housemaid follows Millie Calloway (Sydney Sweeney) as she desperately seeks employment after a yet undisclosed difficult past. Falling into a seemingly perfect job as a housemaid for the wealthy Winchester family, Nina (Seyfried), Andrew (Brandon Sklenar), and daughter Cece (Indiana Elle), live in a gargantuan posh house on the edge of New York.

Back in 2020, I decided that it would be a good idea to post a top ‘25 Films of the Decade’ list to celebrate some of the best films of the 2010s... it took some tinkering (lots of crossing this one off and adding that one) – but I’ve got to say, the response made it absolutely worth it. With all that feedback, many asked if I could do the same for the decade before... it has taken longer than expected, but good things come to those who wait. So, without further ado, here are the best of the 2000s ... with a short description as to why each film made the cut.

It’s hard to believe that the Christmas comedy Just Friends (2005), directed by Roger Kumble, is celebrating its twentieth anniversary already this year. Not a big success at the box office at the time (only earning 50.9 million), it has slowly built a bit of a cult status over the last two decades. Though not received particularly well by critics at the time either, its joyous comedy, romantic elements, and Ryan Reynolds centred ensemble cast make for a most entertaining watch each and every holiday season.

A blackmailing scheme that leads right to the top, plenty of political tomfoolery, a black militant causing many an issue on the darker side of life, a smut king involved with numerous dirty coppers, and more all revolve around a dynamic robbery in the Roger Donaldson directed film The Bank Job (2008). Set in London, England circa 1971 and loosely based upon numerous real and rumoured happenings from the time, the main narrative follows Terry Leather (Jason Statham – The Beekeeper; Snatch.), a small time former crook and now used car dealer/garage who is still down on his luck thanks to owing money to the wrong sort of people.