Like a severe and utterly serious version of Stanley Kubrick’s 1964 satirical dark comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, you would think that Fail Safe would have been the original release in theatres that was then later spoofed, yet that is not the case. Released approximately six months later in the same year, as you might imagine, it led to very poor returns at the box office – dare I say it (as the film deals with this subject matter)... it was a bomb! Despite that, over time, it has become a bonafide classic. Based upon Eugene Burdick’s 1962 novel of the same name and directed by Sidney Lumet (Dog Day Afternoon), he introduces us to our main players by way of little vignettes.
In 1942, RKO Pictures set up a horror unit under producer Val Lewton, a former journalist, novelist and poet who had gone on to become a story editor for David O. Selznick. It was his job to develop low budget horror pictures for under 150,000 dollars, with the studio providing the titles for the films. His first task, the strangely named Cat People, almost seems like a joke. A way for RKO to compete with the popular Universal horror films of the time, Lewton hired writer DeWitt Bodeen (I Remember Mama), director Jacques Tourneur (Out of the Past), cinematographer Nicholas Musuraca (I kid you not, both Out of the Past and I Remember Mama), and composer Roy Webb (Notorious, Marty) – a quality ensemble. And, Lewton supervised everything, the type of producer who would do re-writes on scripts, aid with editing and be involved in every other minute detail of the production process. In a unique twist, the films Lewton created with RKO have become synonymous with him and his distinct style, rather than the directors’, a rare occurrence to be sure.
It was an absolute pleasure sitting down with Guy Boucher just prior to the beginning of the 2017-2018 National Hockey League season. At a charitable event for The Children’s Treatment Centre, he was one of the roasters of Ottawa Senators’ assistant coach Marc Crawford, in what can only be termed a hilarious evening. With an impressive start to his coaching career, Boucher began in the Quebec Major Junior Hockey League, capping it off by winning the Paul Dumont Trophy in 2009 – awarded to the personality of the year, while with the Drummondville Voltigeurs. The success brought with it a head coaching job with the Hamilton Bulldogs in the American Hockey League, the affiliate of the Montreal Canadiens, where he took home the Louis A. R. Pieri Memorial Award (coach of the year) in 2010.
Coming to theatres thirty-five years after the original motion picture, Blade Runner 2049 is set thirty years after the original film, expanding the vivid dystopic universe and the deep philosophical questions brought forth all the way back in 1982. Perhaps the most unexpected query to come out of the movie. . . can a world truly be dystopic if people are still listening to the one and only Frank Sinatra? At least to me, it cannot be too far gone if there is still the music of Ol’ Blue Eyes. Transporting us into the world in almost the exact same fashion as the original, director Denis Villeneuve (with original director Ridley Scott now executive producing) miraculously captures the original fusion of futuristic sci fi and film noir, with touches of his own unique style – all done in a more expansive, epic way.
The last few years have been a dream for fans of films and television series of the 1980s and 90s, as it seems like more and more are getting sequels (often after many long years), usually with at least a portion of the original cast (and often the director back in either the same role or that of producer) returning to play a part left behind long ago. Think, in no particular order, Dumb and Dumber, Full House, Mad Max, Rocky (Creed), Star Wars, Wet Hot American Summer (actually early 2000s), Jurassic Park, and, as of this Friday, add Blade Runner to the list. Returning to the silver screen thirty-five years after the original, Ridley Scott this time puts his executive producer cap on, with Denis Villeneuve taking over directorial efforts, while Harrison Ford delves into the Rick Deckard character once again. . . though, you’ll have to wait to hear more on that. As a lead-in to the long awaited sequel, the original 1982 picture is the focus today.
It is already October 1st (kind of hard to believe), and you all know what that means. . . time for some great horror films to be reviewed leading all the way up to Halloween. Expect modern miracles as well as classics, so keep your eyes open for a variety of intriguing movies that show the diversity and creativity that lies within the suspense-filled genre. Also, as a lead in, I wanted to quickly highlight the anniversary of a little known cult classic that I only found out about a little over a year ago, titled Spider Baby or, The Maddest Story Ever Told. Celebrating its fiftieth anniversary this year, it was actually filmed three years earlier over 12 sweltering hot days in August of 1964. Bankruptcy issues with the producers stalled it for three and a half years; eventually it did arrive in theatres on December 24th, 1967 (an odd time to be sure), though not to much fanfare.
It was lovely sitting down with veteran actor Michael Dante at Trekonderoga this past August. In the business for more than sixty years, it was not his original path in life. A top baseball player, he was signed by the Boston Braves out of high school. As fate would have it, he travelled a less expected path, finding his way, through interesting circumstances, into his first feature film, Robert Wise’s Somebody Up There Likes Me, in 1956 (with legendary names like Newman, Duvall and McQueen). Leading to an impressive career, Dante has graced the silver screen in such films as Westbound, Seven Thieves (Edward G. Robinson, Rod Steiger, Joan Collins, Eli Wallach), Kid Galahad (Elvis), The Naked Kiss (with famed director Samuel Fuller), Apache Rifles, Willard, as well as playing the title character in Winterhawk. . . this is just a small sampling of his work.