Stealers Wheel

If you’ve ever wondered what it would look like for a toilet to be dropped onto a mobster’s head from approximately five stories up, then 1999's Boondock Saints, written and directed by Troy Duffy, may be for you. A rare movie that has been absolutely obliterated by most critics yet loved by an extremely fervent cult following, it is clearly not for everyone. The leads are Catholic Irish American twins, Connor (Sean Patrick Flanery) and Murphy MacManus (Norman Reedus), a pair of impoverished Bostonians who work at a meat packing plant. Friends with a low level Italian mob runner, Rocco – aka ‘Funny Man’ (David Della Rocco), the triumvirate are enjoying a few pints on St. Patrick’s Day when some Russian thugs come into the bar and unceremoniously tell them that it is closed and now under their control. The goons are overrun by the patrons, embarrassed at their own game. It does not take long for the Russians to track down their combatants from the previous night, looking to respond by putting a few bullets into them. The twins are somehow able to fight them off (killing them in the fray), but panic and flee the scene.

Showing off his immense skills in a rather unusual way, Buster Keaton heads to College in this 1927 feature that followed up The General; a Civil War set picture that is now known as a classic (and often considered his masterpiece), its expansive story bloated the budget and somehow brought lackluster reviews, leading to a rare bust at the box office. So, his next film (the above mentioned College) was designed to be more commercially viable and Keaton was reeled in, forced to be under the thumb of co-director James W. Horne (who according to Keaton, did virtually nothing) as well as producer Harry Brand (publicity chief for Keaton’s usual producer Joseph Schenck – he had just become president of United Artists), the latter constantly scrutinized every penny Keaton spent, making sure he didn’t go over budget like with The General. Further annoying the funnyman, the producer made sure that he received a "Supervised by Harry Brand" credit on the film. Receiving another batch of ungracious reviews, it was Keaton’s second bomb in a row. Despite that, College, like The General, is considered by most today to be a classic (though more of a middling effort compared to some of his other motion pictures).

The story of a down-and-out boxer and his adorable son, 1931's The Champ, directed by King Vidor, is a tale of struggle and hardship as well as family, love and hope. The former champ, Andy Purcell (Wallace Beery – he won the Academy Award for Best Actor in a Leading Role in a rare tie with Frederic March), is for all intents and purposes, washed up. Though he is in the midst of training for his next bout, he continuously self-sabotages by turning to alcohol and then follows it up by playing dice, tossing the little money he has left away. His only saving grace is his young son, Dink (Jackie Cooper, one of The Little Rascals of the early sound era who went on to play Perry White in the first three Superman movies starring Christopher Reeve) – a child well beyond his years. A combination of tiny tramp and wise adult, he cares for his father like no one else. Trying to steer him away from booze and focus his wayward vision, he has a middling effect. Though his pleas reach his father, they do not stay his hand for long. The story is, in many ways, told through Dink’s eyes. The son of The Champ is usually followed by his trusty sidekick Jonah (Jesse Scott) and a plethora of other impoverished youths.

As a change of pace, I thought that it would be fun to take a look at Fantastic Beasts and Where to Find Them, not from a review perspective, but rather, to connect some of the dots to the Harry Potter franchise (be it novels or movies). Right off the bat, we hear John Williams’ iconic score from the first Potter feature (when the Warner Bros. logo appears), which then transitions into an original composition from James Newton Howard. Written for the screen by J.K. Rowling (her first time writing a script, there is no one better to build upon the imaginative world she created more than 20 years ago) and set in the Roaring 20s, specifically 1926, the story follows Newt Scamander (Eddie Redmayne) on his many adventures – the name may mean something to true Potter afficionados, as he is the author of one of the Hogwarts required textbooks, which just happens to have the same title as the film. The tale takes place just prior to said book’s publication, with the Brit taking a trip to New York City. As he explores the metropolis, many of you may chuckle when an anti-witch group leader asks, "are you a seeker?", to which he slyly replies, "I’m more of a chaser, really" – a quidditch joke for those in the know.

The Coen brothers’ third feature film, 1990's Miller’s Crossing, once again pays tribute to the hard boiled noirs of old, much like their first motion picture, Blood Simple.. Set during the Prohibition Era, the story draws us into the beginnings of an all out gang war. The unofficial king of the city is aging Irishman Leo (Albert Finney), a well connected guy who often leans on his right hand man, Tom Reagan (Gabriel Byrne), for advice and leadership amongst his pack of goons. Tom is a degenerate gambler going through a rough patch.

A very meta film about film making itself, François Truffaut’s 1973 romantic dramedy Day for Night transports us behind the scenes of a movie being made at the famed Victorine Studios in Nice, France (think classics like To Catch a Thief and Children of Paradise). The title itself is a reference to movie making, highlighting the term used when scenes are filmed during the day, only to make it look like they were done at night (by way of using filters). The Academy Award winner for Best Foreign Language Film in 1974, Truffaut casts himself as the movie’s director, Ferrand, who is currently filming the tragic, if clichéd, melodrama "Meet Pamela" – not likely to be the next classic.