A film noir with some eccentricities, The Big Steal (1949), directed by then third time film maker Don Siegel (who would go on to make such greats as Invasion of the Body Snatchers, Dirty Harry, and Escape from Alcatraz), plays like a long chase within a longer chase, while the meeting between gent and femme is something akin to a will they/won’t they screwball comedy. The usually laconic Lt. Duke Halliday (Robert Mitchum) is in quite the conundrum, as he has been robbed of a U.S. Army payroll totaling a whopping three hundred grand by swindler Jim Fiske (Patric Knowles). On the lam in Mexico (a rather rare noir location, also think Ride the Pink Horse and Touch of Evil), Halliday is on his trail... but the problem is, so is his superior – Captain Vincent Blake (William Bendix), who, of course, thinks it was actually the Lieutenant who ran off with the money.
Whiplash, the story of a talented drummer who is pushed to the edge by a more than intense, militarist-style instructor, took the world by storm in 2014-2015 and has continuously gained steam ever since. The simple yet effective tale that consists of a battle of the wills helped the film earn three Academy Awards: including Best Supporting Actor for J.K. Simmons as well as Best Achievement in Film Editing and Sound Mixing. Whiplash has also landed at number 45 on IMDb’s top 250 films list.
Fans of one of the most popular Canadian films of all-time, 2006's Bon Cop, Bad Cop often wondered why a sequel was never made. . . well, out of the blue, eleven years later, everyone was just as surprised when Bon Cop, Bad Cop 2 arrived in theatres, catching many off-guard – very much like the original unexpected hit. Reuniting Colm Feore and Patrick Huard once again, the former, Martin Ward, is now a senior federal officer with the Royal Canadian Mounted Police, while the latter, David Bouchard, is a provincial officer with the Sûreté du Québec. Unbeknownst to either, the former quasi-friends, who have grown apart over the years, are working the same case, though Bouchard is undercover.
Arguably the highest grossing Canadian domestic film of all-time (not including inflation), 2006's Bon Cop, Bad Cop skewers both official languages, pairing a stuffy English-speaking Provincial Police detective with a foul mouthed, bon vivant French detective for the Sûreté du Québec. Directed by Erik Canuel, the unusual pair are brought together when a body is found straddling the Ontario/Québec border sign (it is literally impaled on the metal welcome guidepost). Arguing over whose jurisdiction it falls under, Torontonian Martin Ward (Colm Feore) suggests that it is their case, as "his heart is in Québec", to which Montrealer David Bouchard (Patrick Huard – who also came up with the scenario for the film) wryly replies, "but his ass belongs to you".
One of those rare movies that has been slowly reappraised with time, Kenny Ortega’s 1993 Disney family flick Hocus Pocus was panned by critics upon its release. Much like other films, including It’s a Wonderful Life, television played a major role in its rejuvenation (as well as its release for home purchase), finding a more than willing audience each and every Halloween as part of ABC Family’s 13 Days of Halloween – grabbing well over two million viewers (record breaking numbers) and transforming it into a true cult classic. At the third annual CAPE (Cornwall and Area Pop Expo), I chatted with up and coming actress Kimberly Leemans. Getting her start on America’s Next Top Model back in 2007, she has transitioned into the realm of television and film. Perhaps best known for her turn as Crystal in the first Hilltop episode, 2016's "Knots Untie", in the hit television show The Walking Dead, she had the unenviable task of punching fan favourite Rick right-off-the-bat. . . she is then taken down by Michonne. Still wandering around in the zombie filled world, we will have to wait and see when she reappears.
Mixing horror and a long unsolved murder mystery with clever touches of comedy throughout, the 2014 New Zealand film Housebound, written and directed by Gerard Johnstone, is a twisty tale that constantly keeps you guessing. Playing with his audience, Johnstone provides little teases and possible red herrings as we go along: a mother, Miriam (Rima Te Wiata), phoning into a late night program telling of her run in with a ghost in her own home, a rough around the edges hoarder of a neighbour whose pastime just happens to be skinning animals, a murder that took place in the house the story is set in, an orthodontic retainer that may be a clue to who committed said murder, an agoraphobic neighbour who disappeared years ago, bizarre power outages, a missing cellphone, a creepy toy bear that keeps reappearing, as well as a supposedly haunted basement – all play their part in building the tense, suspenseful atmosphere.
Anyone who grew up in the 1980s to mid 90s will fondly recall the wide array of quality animated shows that graced the television screen. The Teenage Mutant Ninja Turtles, Rupert and Dragon Ball Z may come to mind, perhaps the only three shows that acclaimed voice actor, and today’s Star Pick John Stocker, did not do a voice on in this era of superlative children’s programming. Working since the 1960s, Stocker has been an integral part of the animated field for more than forty years. With one hundred and thirty seven acting credits alone, the sometimes voice director has an illustrious pedigree, to say the least. Beginning with perhaps his most acclaimed turn, henchman Mr. Beastly in The Care Bears, he gave the character a maniacal laugh for the ages, along with a rich, textured voice that brings to life the entertaining yet clumsy hijinks of the never successful villain who had a good heart deep down.