Obsessive Compulsive

If someone was told that a movie had earned almost 110 million in just over two weeks at the box office, most people would just shrug it off and say that isn’t all that special... but with this film being made for somewhere between 750,000 and 1 million dollars, that makes it a whole different thing. Utterly impressive in this day and age, the psychological horror film Obsession (released back at the Toronto International Film Festival in 2025), written, directed, and edited by Curry Barker, is taking the cinema world by storm. Aptly titled, the rather timid, lonely, and lackluster Baron ‘Bear’ Bailey (Michael Johnston) is rather infatuated with coworker and longtime friend Nikki Freeman (Inde Navarrette). Working in the same music store along with co-friends Ian (a boisterous Cooper Tomlinson) and Sarah Harper (Megan Lawless) – whose father Carter (Andy Richter – yes Conan O’Brien’s longtime sidekick) runs the store, it has become a sort of frustrating groundhog’s day for the man – who has long fretted over making his feelings known to the girl.

After the success of 2022's eighteenth century set Prey, director Dan Trachtenberg has returned to the Predator franchise once more, this feature titled Predator: Badlands (2025), again coming up with a wholly different concept that transports the story in an engaging new direction. Taking place about as far away as possible from his previous effort (a concept developed by Trachtenberg and Patrick Aison, the latter then writing the screenplay), this one opens on Yautja Prime, the home planet of the Predators (who are formally known as Yautja), where the audience meets Dek (Dimitrius Schuster-Koloamatangi) – the weakling runt of the family who hasn’t earned his camouflaging cloak... which, if you known Predator culture, is not a good thing.

Finding an intriguing milieu somewhere between the recent popularity in witch related films over the past decade (think The VVitch, Hereditary, The Autopsy of Jane Doe, and Weapons) and a spooky atmosphere somewhat reminiscent of the Stephen King room related 1408, Hokum (2026), written and directed by Damian McCarthy, is another worthy entry in the horror genre. In many ways about battling your own demons, Ohm Bauman (Adam Scott) is a successful writer with a very troubled past – making him a bitter, cantankerous, and bluntly rude human being, he is currently writing the trilogy-ender to his successful Conquistador series (which serves as a bookend for this film). Suddenly haunted by his parents’ ashes sitting upon his mantle (as well as being hit with a form of writer’s block), he decides to fly to Ireland to spread them at one of the places he knows they loved – a kitschy inn called The Bilberry Woods where long ago they honeymooned.

It almost felt like Matt Bettinelli-Olpin and Tyler Gillett’s Ready or Not 2: Here I Come – a sequel to the original horror-comedy hit, were playing the very game it references in the title, as it has been a surprisingly long seven years since the original was released in theatres. Despite the wait, this one starts up literally right where the first concluded, with smoking survivor Grace MacCaullay (Samara Weaving) being brought to a hospital, after which the police would like to question her on all the Le Domas carnage. But, unknowingly to anyone except a select few, her defeat of the satanic gaming family has set in motion a most unique event that will bring together the other elite families that are members of the same Council (that, for all intents and purposes, run the world) – who are all called forth by the head of the table, Chester Danforth (David Cronenberg – yes, the famed horror director).

Interweaving an emotional narrative between historical fact and seemingly plausible guesswork/fiction to the point that it feels a wholly realistic possibility, this year’s Academy Award Best Picture nominee Hamnet (2025), co-written and directed by Chloé Zhao, provides an intriguing look at the life of William Shakespeare and his family tied into his legendary tragedy Hamlet. Also co-written by Maggie O’Farrell – who wrote the novel of the same name that the film is based upon, the narrative takes a years long look at the Shakespeare family. Opening with an explanation that the names of Hamnet and Hamlet were basically interchangeable at this time in history, that will certainly come into play later.