While viewing today’s movie, a quote revolving around The Doors and their band name popped into my head, “There are things you know about and things you don't, the known and the unknown, and in between are the doors – that's us”. With links to Aldous Huxley’s The Doors of Perceptions, and before that the even more apropos William Blake’s 18th century poem The Marriage of Heaven and Hell, one line from it reads, “If the doors of perception were cleansed, everything would appear to man as it is: infinite.” It only seems fitting that this rather abstract lineage which discusses both reality and exploring expanded consciousness somehow links to the sci-fi psychological horror film Backrooms (2026), co-written and directed by 20 year old Kane Parsons.

I recently met up with actor Steve Coulter at CAPE Cornwall; he is perhaps best known for his turn as Reg Monroe in the television series The Walking Dead. Coulter has also worked an impressive five times with horror maestro James Wan (he has been directed by him four times as well as being in one of his productions). He plays the role of Father Gordon in Wan’s The Conjuring and its sequel The Conjuring 2. I reached out to him to get a quote on the filmmaker. Coulter had nothing but praise for the man, stating "James’s skill in directing horror is, first of all, based on his ability as a storyteller. He knows how smart the audience is, particularly the horror film audience. As such a fan of the horror genre, he knows the usual shortcuts that are made, and he doesn’t take them. He knows what REALLY scares people. And he is such a masterful filmmaker that he knows how to craft those scares so that they are truly frightening, not just the usual Hollywood jump scares. He’s also a master at building suspense." Keep an eye open for an upcoming Star Pick with the actor in the very near future.

Putting Ryan Gosling and Russell Crowe together as an action comedy duo seems like a rather unorthodox and risky venture. Both have been able to add touches of humour to certain roles in their impressive resumes, yet they have generally been considered dramatic actors – with neither having truly had the chance to test their jocular delivery. So, it is perhaps slightly surprising that the duo have excellent comedic chemistry and timing in their new film The Nice Guys.

Lately, a lot of people have been suggesting that I watch Deadpool, so I checked it out and can now see why so many have enjoyed it. It has a high-octane frenetic pacing, entertaining dialogue, is a piece of cool filmmaking, and though it is a comic book movie, feels like the antithesis of most other Marvel and DC options. Fast talking Ryan Reynolds stars as Wade Wilson (aka Deadpool), the most unethical superhero you are likely to meet. He has a foul mouth, shoots searing insults, says it like it is, and enjoys killing baddies at a rather alarming rate. As I said, this is not your typical Marvel comic book movie.
Interweaving multiple stories can be a complicated thing to do. For every film that succeeds at structuring several tales into one powerful story, there are twice as many that fall flat. One movie that takes on this challenging task, tackling three separate narratives that take place in very different eras, is the 2002 dramatic motion picture The Hours. The film features several powerhouse performances from three superb actresses (Nicole Kidman, Meryl Streep and Julianne Moore), so it is perhaps not surprising that actress Jenny Lampa, who has earned rave reviews and has received a number of acting nominations for her performance in the Swedish thriller The Break-In, selected this as one of her favourite movies.
Back in 2002, My Big Fat Greek Wedding hit the world by storm. . . and when all was said and done, it became the top grossing romantic comedy of all-time (without ever being number one at the box office). It told the story of an intensely smothering yet loving Greek family living in Chicago by way of our lead and voice over narrator Toula Portokalos (Nia Vardalos – who wrote the story and got an Academy Award nomination for her effort). The plain and slightly nerdy woman, who works at her parents’ restaurant and cannot seem to find love, sets us up for a feel good story that combines the concept of finding love in the most unexpected places with a positive spin on Greek-American stereotypes that hit right on the mark.

The first thing that came to mind after watching Guy Ritchie’s 2001 crime film Snatch was that it must have been a bugger to write. Ritchie, who both scribed and directed the movie, concocts a motion picture that feels like an amalgam of film noir, a British crime caper, a boxing flick as well as a comedy – all thrown onto the screen by some sort of high powered rocket launcher.