A revisionist feature that in many ways is the closing bookend to the classic western, Clint Eastwood directs and stars in (notably his last picture in the genre he helped make famous again) 1992's Academy Award Best Picture winner Unforgiven. Throwing the traditional rhythm out the door, David Webb Peoples writes a tale set at the end of the Wild West where in every characters’ mind, they are the ‘good’ guy. Centred around a town called Big Whiskey, Wyoming, Sheriff ‘Little Bill’ Daggett (Gene Hackman – The Replacements) runs the town with an iron fist – banning any guns in the place (if they don’t listen, he makes an example of them). Also of note, the lawman, though not a great craftsman, is trying to build his own home.

The 2005 Australian western The Proposition (which takes place in the nineteenth century) begins with the opening credits unspooling along with historic photos of that era being shown beside them, while a childlike voice sings a sadly eerie lilt and then. . . boom! – we are thrown into a frenetic firefight. This extremely unique opening captures the pace of the film; jarring clashes of violence followed by melancholic sadness and loneliness, or vice versa.
There may be no film that better encapsulates the idea of doing what is right or just rather than what is popular or easy than the classic 1952 western High Noon. I recently chatted with iconic character actor John Rhys-Davies, who has created wonderful personas in memorable films such as The Lord of the Rings trilogy (Gimli), Raiders of the Lost Ark/Indiana Jones and The Last Crusade (playing Indiana Jones’ loyal pal Sallah), or portraying General Pushkin in the 1987 James Bond flick The Living Daylights, to name but a few.

"This is why frontier life is so difficult. Not because of the Indians or the elements, but because of the idiots." Truer words may never have been spoken about the western genre; so many of these films seem to have their share of noble idiots who are unprepared yet undaunted by a seemingly impossible task. Though motion pictures featuring cowboys, sheriffs, bandits and the like have taken a downturn over the last several decades, there has been a small resurgence of quality independent westerns that have cropped up over the past year or so. One such movie (which is where the above quotation can be found) is the 2015 horror western Bone Tomahawk.

Sometimes, a film is able to transcend the era it was made in, truly making it feel as relevant and modern as when it was first released. Yet, others simply have not aged as well. This can sometimes create a rather difficult viewing experience – and that is somewhat the case with the 1928 western In Old Arizona. This western is one of the most important and influential films of the time –

It is hard to believe that Clint Eastwood has been directing movies for over four decades. His second directorial effort, the 1973 western High Plains Drifter, is now celebrating its 40th year.