With a most impeccable cast, you would think the modern set western drama The Misfits (1961), directed by John Huston (The Asphalt Jungle), would be best remembered for its acting... though sadly it’s remembered for the tragic deaths soon thereafter of its three main cast members – Marilyn Monroe, Clark Gable, and Montgomery Clift. Written by Marilyn Monroe’s then husband (but soon to be ex) Arthur Miller (the famed playwright of “Death of a Salesman”), the Reno area set story follows the aptly named misfits, including recent divorcée Roslyn Taber (Monroe – River of No Return; The Seven Year Itch), a lonely aging man’s man of a cowboy in Gay Langland (Gable – Gone with the Wind; It Happened One Night), aged divorced landlady Isabelle Steers (Thelma Ritter – Miracle on 34th Street; A Letter to Three Wives), and widowed tow truck driver Guido Delinni (Eli Wallach – The Magnificent Seven; Seven Thieves) – and they all have one thing in common... abject loneliness.
There may be no film that better encapsulates the idea of doing what is right or just rather than what is popular or easy than the classic 1952 western High Noon. I recently chatted with iconic character actor John Rhys-Davies, who has created wonderful personas in memorable films such as The Lord of the Rings trilogy (Gimli), Raiders of the Lost Ark/Indiana Jones and The Last Crusade (playing Indiana Jones’ loyal pal Sallah), or portraying General Pushkin in the 1987 James Bond flick The Living Daylights, to name but a few.

"This is why frontier life is so difficult. Not because of the Indians or the elements, but because of the idiots." Truer words may never have been spoken about the western genre; so many of these films seem to have their share of noble idiots who are unprepared yet undaunted by a seemingly impossible task. Though motion pictures featuring cowboys, sheriffs, bandits and the like have taken a downturn over the last several decades, there has been a small resurgence of quality independent westerns that have cropped up over the past year or so. One such movie (which is where the above quotation can be found) is the 2015 horror western Bone Tomahawk.

Sometimes, a film is able to transcend the era it was made in, truly making it feel as relevant and modern as when it was first released. Yet, others simply have not aged as well. This can sometimes create a rather difficult viewing experience – and that is somewhat the case with the 1928 western In Old Arizona. This western is one of the most important and influential films of the time –

It is hard to believe that Clint Eastwood has been directing movies for over four decades. His second directorial effort, the 1973 western High Plains Drifter, is now celebrating its 40th year.