This very well may be the shortest review I’ve ever written. Juror #2 (2024), Clint Eastwood’s most recent directorial effort (he also co-produces), very much leans on several legal dramas and thrillers from the past, most notably the classic 12 Angry Men, to great effect. Twisting the above mentioned film in clever fashion, in some ways, recovering alcoholic Justin Kemp (Nicholas Hoult) is a stand-in for Henry Fonda’s Juror #8, as he too stands up for the man being charged with murder... the only difference is, he soon realizes that he knows a bit more about the case than the rest of the jurors (and even he originally thought). Though this is not a twist filled feature (à la Usual Suspects), much of its entertainment comes from watching it unfurl as it goes along – hence why very little of the plot will be disclosed here. It is also worth noting that, unlike 12 Angry Men, screenwriter Jonathan A. Abrams opens the story wide, allowing us to hear testimony, explore the crime scene, and discover actual truths we never got to see in the 1957 motion picture.
I think it is finally safe to say that spring is in the air. For me, this time of year brings to mind two things in the realm of sports: the NHL playoffs and the beginning of the golf season. I was lucky enough to run into John Lu at a Montreal Canadiens game recently and we started to talk movies. Lu, who reports on all things sports in Montreal, Habs and beyond, for TSN, was quick to name a classic sports film – Caddyshack, as his favourite comedy of all-time. For him, it was the superb cast and their talents at improvising that placed this movie a notch above the rest.
Most scripts and movies are formed in one complete package, focusing on continuity, flow and character development as well as a definite beginning, middle and end. Yet some films are formed out of something different – a single shot, concept or idea that one then develops a picture around. It does not always work, but when it does, it is cinematic gold. This is the case for the 1955 French crime caper Rififi (originally titled Du Rififi Chez Les Hommes).
Before I refer to the main title, I must first announce that long-time character actor James Rebhorn passed away last week at the age of 65. Though perhaps not a household name, the tall balding man (who looked the same age for as long as I can remember) will surely be missed, as he played small yet memorable roles for more than 30 years.
"Some of this actually happened." Released last week on Blu-Ray and DVD, David O. Russell’s 2013 hit American Hustle (which was nominated for 10 Academy Awards) out Scorsese’d Scorsese, as many critics put it. I will not go that far, but Russell creates a lively crime comedy/drama in the vain of past Scorsese classics such as Goodfellas, Casino and others – and it can compete on most levels.
In 1939, it was known that Charlie Chaplin was making a new film.
It is hard to believe that Clint Eastwood has been directing movies for over four decades. His second directorial effort, the 1973 western High Plains Drifter, is now celebrating its 40th year.