Finding an intriguing milieu somewhere between the recent popularity in witch related films over the past decade (think The VVitch, Hereditary, The Autopsy of Jane Doe, and Weapons) and a spooky atmosphere somewhat reminiscent of the Stephen King room related 1408, Hokum (2026), written and directed by Damian McCarthy, is another worthy entry in the horror genre. In many ways about battling your own demons, Ohm Bauman (Adam Scott) is a successful writer with a very troubled past – making him a bitter, cantankerous, and bluntly rude human being, he is currently writing the trilogy-ender to his successful Conquistador series (which serves as a bookend for this film). Suddenly haunted by his parents’ ashes sitting upon his mantle (as well as being hit with a form of writer’s block), he decides to fly to Ireland to spread them at one of the places he knows they loved – a kitschy inn called The Bilberry Woods where long ago they honeymooned.

I think it is finally safe to say that spring is in the air. For me, this time of year brings to mind two things in the realm of sports: the NHL playoffs and the beginning of the golf season. I was lucky enough to run into John Lu at a Montreal Canadiens game recently and we started to talk movies. Lu, who reports on all things sports in Montreal, Habs and beyond, for TSN, was quick to name a classic sports film – Caddyshack, as his favourite comedy of all-time. For him, it was the superb cast and their talents at improvising that placed this movie a notch above the rest.

Most scripts and movies are formed in one complete package, focusing on continuity, flow and character development as well as a definite beginning, middle and end. Yet some films are formed out of something different – a single shot, concept or idea that one then develops a picture around. It does not always work, but when it does, it is cinematic gold. This is the case for the 1955 French crime caper Rififi (originally titled Du Rififi Chez Les Hommes).

Before I refer to the main title, I must first announce that long-time character actor James Rebhorn passed away last week at the age of 65. Though perhaps not a household name, the tall balding man (who looked the same age for as long as I can remember) will surely be missed, as he played small yet memorable roles for more than 30 years.

"Some of this actually happened." Released last week on Blu-Ray and DVD, David O. Russell’s 2013 hit American Hustle (which was nominated for 10 Academy Awards) out Scorsese’d Scorsese, as many critics put it. I will not go that far, but Russell creates a lively crime comedy/drama in the vain of past Scorsese classics such as Goodfellas, Casino and others – and it can compete on most levels.

In 1939, it was known that Charlie Chaplin was making a new film.

It is hard to believe that Clint Eastwood has been directing movies for over four decades. His second directorial effort, the 1973 western High Plains Drifter, is now celebrating its 40th year.