Finding an intriguing milieu somewhere between the recent popularity in witch related films over the past decade (think The VVitch, Hereditary, The Autopsy of Jane Doe, and Weapons) and a spooky atmosphere somewhat reminiscent of the Stephen King room related 1408, Hokum (2026), written and directed by Damian McCarthy, is another worthy entry in the horror genre. In many ways about battling your own demons, Ohm Bauman (Adam Scott) is a successful writer with a very troubled past – making him a bitter, cantankerous, and bluntly rude human being, he is currently writing the trilogy-ender to his successful Conquistador series (which serves as a bookend for this film). Suddenly haunted by his parents’ ashes sitting upon his mantle (as well as being hit with a form of writer’s block), he decides to fly to Ireland to spread them at one of the places he knows they loved – a kitschy inn called The Bilberry Woods where long ago they honeymooned.

The modern-day fairy tale film seems to have become the typical Disney cookie-cutter movie. They usually follow similar formats: wicked witch captures young girl, princess needs to be rescued or male hero saves the day, yet very few pictures capture the eerie and often scary vibe of the original fairytales that these stories are based on. It is amazing how graphic and frightening the Grimm tales and other similar stories actually are.

For almost 100 years, Disney has entertained family audiences with their amazing live-action and animated films. One of my favourites is the oft forgotten 1968 pirate tale Blackbeard’s Ghost.

One of my favourite genres is the short-lived film noir category, which lasted through the 1940's and petered out towards the end of the 1950's. It grew from the German expressionism period of the 1920's and was compounded by the anxiety and cynicism that came out of World War II. Named by French critics who were describing the black-and-white Hollywood crime movies of the 40's, this is a unique genre that captures a much darker, cynical and more vicious world than most other films from this period.

It is unusual to find a film that is able to effectively change direction, speaking in the genre sense, without losing steam, confusing viewers, or ruining the flow of the movie. Yet, when properly done, these twists and turns can take you on a wild and entertaining ride to somewhere completely unexpected. This is what the 1986 motion picture Something Wild does effortlessly.

It is pretty rare that I do this, but I sat watching a newly released DVD called Stoker last night and decided to write a review immediately after finishing it, and for once, one of the films I have critiqued will be readily available to buy or rent.

The 1980's and 1990's were two superb decades for amazing action films that contained easy on the eyes stunts, clever storylines, touches of comedy and great villains. Movies like the Die Hard trilogy, Lethal Weapon 1-4 , Mission Impossible, and James Bond entries like License to Kill and Goldeneye entertained in all of these categories. One of the best action movies to come out of the 90's though, is known as Léon or The Professional.