Stealers Wheel

Don’t get the wrong idea... the 1973 giallo Death Carries a Cane, co-written and directed by Maurizio Pradeaux, may make it sound like the grim reaper-like killer at the centre of all the carnage is simply some feeble hop-a-long struggling to meander the streets of Italy, but that may not be the case when you hear some of the other titles that this film has been gifted for different markets or releases: Dance Steps on the Edge of a Razor, The Tormentor, Maniac at Large, The Night of the Rolling Heads, and Devil Blade... perhaps it’s a bit more ominous sounding now. Poor Kitty (Nieves Navarro; aka Susan Scott) is at the right place at the wrong time... showing her visiting parents some of the tourist sites in Rome, she just so happens to be looking through some pay-for-use binoculars on a hilltop when she witnesses the murder of a young woman (through a house window) by a silhouetted assailant wearing a black hat, overcoat and stylish sunglasses who has a bit of a hobble.

What looks to be the closing note of Denzel Washington and director Antoine Fuqua’s trilogy (a rare thing for both men, as these are the only sequels they’ve ever done), The Equalizer 3 is a much more contemplative form of an action movie... a character with a violent past that is trying to work through it as he enters the final chapters of his life. Opening with a lengthy single take that shows the destruction that Robert McCall (Denzel Washington) can cause, it is a cinematic gem of a piece set in a baddie’s lair in Sicily... a strikingly stylized moment that leaves our lead wounded in body and soul.

What do you get when you cross Dorothy Gale with the Wicked Witch of the West? The answer may just come in the 2022 melodramatic horror film Pearl, co-written and directed by Ti West. The approximately six decade prequel to West’s homage to the early years of the slasher subgenre of 1970s horror with X, this rewind throws us into the life of the titular Pearl, originally the slash happy elderly woman who we now see as a young woman.

It was another exciting weekend in the city of Cornwall, as CAPE, or the Cornwall and Area Pop Event, returned once more (like any good superhero franchise) – this time attracting more than 3,500 excited visitors for the Saturday and Sunday festivities on April 20th and 21st, 2024. People of all ages, many in glorious costume (ranging from Evel Knievel and Deadpool to fantastical personal creations), flooded the Benson Centre, primed to explore its many exciting booths. . . fans were excited to see similar items from previous years, including retro toys, Funko pops, original artwork, comic books and literature, while they were also lucky enough to find some new vendors offering up unique items that have not been seen at the event for many a year – including vintage movie posters (Rolled & Folded Movie Posters), old school video games (Video Game Mansion), and a cool array of goodies from Cornwall Stamp Co. - Rock & Roll Print Shop.

Comedic war-tinged movies were all the rage in Hollywood during World War II... a way to ease the tension while keeping morale up. Think Charlie Chaplin’s The Great Dictator (1940), Abbott and Costello’s quasi trilogy of Buck Privates, In the Navy, and Keep `Em Flying (all of which were released in 1941), Ernst Lubitsch’s To Be or Not to Be (1942), as well as today’s feature, the Sidney Lanfield directed, Bob Hope starring My Favorite Blonde (also 1942). A wartime crime caper woven within a Bob Hope vehicle, Karen Bentley (Madeleine Carroll – The 39 Steps), is a British secret agent who is given the unenviable task of delivering a cipher after her partner is murdered by a ruthless group of German spies led by Madame Stephanie Runick (Gale Sondergaard – who was also in The Cat and the Canary, Never Say Die, and Road to Rio with Bob Hope).