Films That Matter
A Law Unto Themselves
The front door to an apartment swings open... an unseen figure walks through the living area and approaches a beautiful blonde woman wearing a robe as she walks around the bathroom... he then deliberately empties the barrel of his revolver into her – this is the jarring cold opening to the film noir Illegal (1955), and one thing is for sure, it knows how to grab your attention. Funnily enough, this was the third adaptation of the 1929 play “The Mouthpiece” by Frank J. Collins, following Mouthpiece (1932) and The Man Who Talked Too Much (1940) – and they say movies are remade too much today. Flash to Victor Scott (Edward G. Robinson), a district attorney who is wise to all the angles and is graced with a silver tongue. With an unyielding desire to win (he got it from growing up and fighting his way out of the slums), he argues every case like it is his last.
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Watch The Skies
The Thing from Another WorldOctober 29, 2023Before there was John Carpenter’s The Thing (1982), there was The Thing from Another World (1951). If you know John Carpenter, it is not overly surprising that he would remake this film, for when I interviewed him back in 2017, he could not stop speaking of his love for film maker Howard Hawks (citing him as a major influence on his career, he was enamoured with his genre jumping films – be it western, drama or horror)... and Hawks’ fingerprints are all over the 1951 version. It is also worth noting that Carpenter, just five years before making The Thing, had Hawks’ original make a screen appearance in his legendary Halloween. Still debated as to whether it was Hawks who directed the film or the co-credited Christian Nyby, not even the cast has been able to agree. Some called Nyby the director but Hawks the boss, while other recollections remembered Hawks doing most of the work. Without ever having a true answer, it seems most likely that Nyby directed under the tutelage of Hawks, with the elder statesman taking charge from time to time (hence why the film has such a feeling of the veteran film maker’s work). There is no denying that he co-wrote and co-produced the film.
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What Could Have Been: Dead Heat
October 14, 2023Arguably one of the more bizarre buddy cop action/comedy films ever made, 1988's Dead Heat, written by Terry Black (brother of buddy cop screenwriter extraordinaire Shane Black – think Lethal Weapon and The Nice Guys... who cameos as a Patrolman in this one), and directed by Mark Goldblatt, fuses the tried and true formula within a Los Angeles set zombie storyline. Meet Doug Bigelow (Joe Piscopo) – cousin to Deuce, and Roger Mortis (Treat Williams) – and I think he’s the brother of Rigor, two officers who drive around town in a red 1960 Chevrolet Impala convertible – very inconspicuous. The former’s goofball jokey, the latter’s the more refined sort, together, they’re chaos.
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The Park, The Rain, and Other Murderous Things
She-Wolf of LondonOctober 10, 2023Taking a more melodramatic angle of the horror genre, towards the end of Universal’s golden age of scary movies comes 1946's She-Wolf of London, directed by Jean Yarbrough – a change of pace from the Lon Chaney Jr. led Universal features (he had already played the Wolf Man four times to this point, and would soon do so one last time in Abbott and Costello Meet Frankenstein). A period piece set in London, horrific murders continue to take place in a local park near the wealthy estate of the Allenby’s. Long rumoured to be cursed, the last vestige of the line is Phyllis Allenby (June Lockhart), a young, nervous woman who, instead of cheerfully planning her wedding to barrister Barry Lanfield (Don Porter), frets about the growing number of deaths in the vicinity – wondering if these acts might have been unknowingly done by her very own hand.
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Nun the Wiser
The Killer NunOctober 8, 2023Who knew that killers in a giallo could accessorize... for in The Killer Nun (1979), the prototypical black gloves are replaced with a colourful pair of pink ones – much more fashionable. Co-written and directed by Giulio Berruti, he fuses the aforementioned themes of the giallo with the growing craze of nunsploitation...as well as being loosely based on the real story of Belgian nun Cecile Bombeek. This sordid tale follows Sister Gertrude (Anita Ekberg), a middle aged nun who has recently had some rather serious health problems. Having recovered from brain surgery, she is quite hysterical... fearing that she is still sick and in need of care. Leading her through an almost male-like form of mid-life crisis, dare I say that she starts quite a few bad habits: a serious addiction to morphine, leaving the hospital she works for in order to have affairs with unknown men, and creating a rather unique bond with her busty roommate nun, Sister Mathieu (Paola Morra) – you might call them bosom buddies, or breast friends with benefits – okay, enough.
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Wax Works
House of WaxHouse of WaxOctober 3, 2023A bonafide 3D early classic and a less than lauded remake, House of Wax (1953 and 2005 respectfully), are very different films. The former starring legendary actor Vincent Price and directed by André De Toth (Crime Wave), is a vividly coloured, horror tinged murder mystery, while the latter film, directed by Jaume Collet-Serra, is a moodily lit modern era slasher flick that is slowly being reappraised. One of the most successful 3D ventures of the 1950s era, De Toth frames Price’s wax artist, Professor Henry Jarrod, as a kindly and loving creative soul who is sadly betrayed by his business partner, Matthew Burke (Roy Roberts), who is a money hungry sociopath looking to invest elsewhere. Burning the wax museum down with its creator inside the building for the insurance money, the act brings bitter anger and utter madness to the once genteel artist, who somehow escapes with everyone believing he has perished in the fire.
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Missed the Bloody Cut: 2023 (Part 2)
September 26, 2023The second Missed the Bloody Cut horror selection of this 2023, here are some more horror movies that did not meet my strict criteria (a rating of 7.0 or higher)... but are still entertaining films (horror fanatics may enjoy) that do not deserve to be shrugged off like the lights going out simply because it’s an ‘old home’ – and that they are definitely worth a watch (just maybe not several re-watches).
