When it comes to car chase scenes, the one that is always highlighted, and for good reason, is from Peter Yates’ 1968 action thriller Bullitt starring Steve McQueen... but some eight years later, the city of San Francisco was replaced by Montreal, Quebec in this little known Italian production with quite the epic speedy sequence of its own, Shadows in an Empty Room (1976), directed by Alberto De Martino. Fusing this touch of Bullitt with a Dirty Harry style storyline – hence why it is called Blazing Magnum in some markets (including the UK), while also including a hint of the ever popular at the time 70s giallo for some murder mystery elements, the narrative follows gritty, hard as nails Ottawa cop Capt. Tony Saitta (Stuart Whitman) as he dispatches some bank robbers in his own city... before getting the tragic call that his much younger sister, Louise (Carole Laure – Sweet Movie), who lives in Montreal, has died under very suspicious circumstances.

A Spaghetti Western set during the chaotic time period of the Mexican Revolution (1910-1920), 1967's A Bullet for the General (sometimes known by its original Italian title Quién sabe?, in English – Who Knows?), directed by Damiano Damiani, is a lesser known gem found within the subgenre best known for titles like The Good, The Bad and The Ugly, Once Upon a Time in the West, and Django. Written by Franco Solinas – the famed Marxist political writer who a year earlier scribed The Battle of Algiers, his screenplay is filled with the tension, violent action, and the politics of this historical time period... and, to add a layer on top of a layer, this film is considered the first Zapata Western – a subgenre of the Spaghetti Western that delves into this era in Mexico, usually juxtaposing the themes of intense revolution with cold hard cash.

Reveling in its 1990's era setting, Darren Aronofsky’s crime thriller Caught Stealing (2025), finds new ground within the criminal underworld while also being somewhat reminiscent of movies from that time period like Guy Ritchie’s early works in Lock, Stock, and Two Smoking Barrels (1998) and Snatch (2000), as well as one offs like The Fugitive (1993), Carlito’s Way (1993), The Boondock Saints (1999), and several others. A rare change of pace for Aronofsky
As someone who loves history, there is nothing better than delving into movies from the past. Not only are they a microcosm of society at the time they were made, but there is an added benefit if they were filmed on location somewhere rather unique, that may or may not have changed drastically over the years since shooting. Having recently watched the slapstick British comedy Carry On Girls (1973), it brought me back to another very different film from the past, the low budget horror cult classic Carnival of Souls (1962) – for a very specific reason. So, instead of doing a typical review of the features, we will take a look at two historic locations featured in both of these pictures.

Opening with infinite possibilities, today’s feature could have been a prison set boxing movie, a searing drama about the conditions in an Alaskan jail, or simply a prison break narrative, but instead, it becomes... Runaway Train (1985). A movie that has become a bit forgotten over time (after its initial disappointment at the box office), director Andrei Konchalovsky’s action thriller follows a rough around the edges bank robber, Manny (Jon Voight) – who has attempted to break out of Stonehaven Maximum Security Prison in Alaska several times. A sort of hero figure amongst the rowdy inmates, the obsessive Warden, Ranken (John P. Ryan), has locked him away in solitary confinement for a most punishing three years.

The action renaissance continues to flourish late into the summer of 2025... as Timo Tjahjanto’s Nobody 2 (2025) becomes the most recent blow-up to grace the big screen after nearly a decade of successes (even if that doesn’t always mean at the box office) from the likes of the John Wick franchise (and its spinoff Ballerina), Tom Cruise doing his thing in the last four Christopher McQuarrie fueled Mission: Impossible adventures, George Miller’s post apocalyptic landscape of Mad Max: Fury Road (and its prequel), as well as many memorable standalones like Baby Driver, The Nice Guys, et al. Following the rhythm and cadence of the first movie of the franchise (thanks to screenwriter Derek Kolstad being back– he’s also the mind behind the John Wick universe),

Upon hearing that The Naked Gun: from the Files of Police Squad (1988) and its sequels The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994) were getting their own reworking of a sequel all these years later, simply titled The Naked Gun (2025), dare I say, it was a tad worrisome. The last decade has been kind to the action and horror genres, but not so for much else... with the last comedies I can remember being either liked or successful ranging all the way back to the buddy cop action comedy The Nice Guys (2016), Game Night and Tag (both 2018), and Good Boys (2019) – of course, there are a few rom/coms and other such things strewn in there, but it hasn’t been a solid stretch for the laugh factory out of Hollywood. Yet, somehow this one has dodged the current comedy killer bullet and survived the dreaded thirty plus year remake/reboot sequel.