A Law Unto Themselves

Nearing the end of the Golden Years of Universal horror, The Cat Creeps (1946), directed by genre specialist Erle C. Kenton (Island of Lost Souls, The Ghost of Frankenstein, Who Done It?), is the dying whisper of the old haunted house murder mystery film (at least until Scooby-Doo, Where Are You! brought back the excitement for kids in the late 1960s). In fact, this would be the last horror movie produced by Universal until 1951's The Strange Door – excluding Abbott and Costello meet Frankenstein, which is more of a spoof of horror movies. What started with horror films (followed closely by comedy spoofs) like The Cat and the Canary (1927 and 1939), The Old Dark House (1932), The Black Cat (1934 and 1941), The Ghost Breakers (1940), Hold That Ghost (1941), was then met with a supernatural element found in Cat People (1942), The Curse of the Cat People (1944), and She-Wolf of London (1946), to name but a few, The Cat Creeps pulling from all of these sources to make a, dare I say it, ‘copy-cat’ of the previous filmography.

The first Missed the Bloody Cut horror selection of this 2023, here are some horror movies that did not meet my strict criteria (a rating of 7.0 or higher)... but are still entertaining films (horror fanatics may enjoy) that do not deserve to be ignored like the dead body in the corner that college kids simply assume is their buddy sleeping off the alcohol and drugs – and that they are definitely worth a watch (just maybe not several re-watches).

There is no denying that our childhoods play a very large part in who we become as adults. The proof is in the quasi-giallo pudding when looking at the titular character in A White Dress for Marialé (1972) – it has also been known as Spirits of Death and Tragic Exorcism. Directed by Romano Scavolini, the aforementioned Marialé (Ida Galli, aka Evelyn Stewart) had a traumatic childhood – witnessing the murder of her mother and lover by her father, only for the patriarch to turn the gun on himself after offing the secretive couple. Finding herself in an equally as toxic relationship with Paolo (Luigi Pistilli), the wealthy man hides her away in a half impressive, half dilapidated castle in the middle of nowhere with his trusty banged butler Osvaldo (Gengher Gatti) – looking like an oddball combination of an eccentric Vincent Price and inhuman Lurch.

2023's Sisu, written and directed by Jalmari Helander, is a Finnish word that does not translate easily to the English language, perhaps best explained as a sort of persistent rational determination in the face of much adversity... the perfect explanation for this Finnish/American co-production. Thriving in a very old reverse-hybrid form of Nazisploitation combined with classic western motifs and more than a splash of modern John Wick flair, Sisu follows Aatami (Jorma Tommila), a grizzled gold miner in the decimated Finnish Lapland nearing the end of World War II. Finally striking it rich, he transports it back to civilization with his loyal dog at his side.

The third film from writer/director Brandon Cronenberg (son of body horror maestro David), 2023's Infinity Pool, which follows 2012's Antiviral and 2020's Possessor, shows a penchant for the same bodily flair his father has, but also hones in on the devolution of humanity and the soul. Following a married couple, James and Em Foster (Alexander Skarsgård and Cleopatra Coleman), he is a less than middling author, having released a single critic-slammed novel that has left the man with a serious case of writer’s block... while she comes from money and sometimes seems more like a patroness than significant other.

After all these years, it is almost hard to believe that the key to success in an intricate Mission: Impossible adventure would literally be... a key. Yes, that is the all important piece that must be gathered in the seventh feature of the long running franchise, Mission: Impossible - Dead Reckoning Part One... with the bookend making its way into theatres in approximately one year. Co-written and helmed once more by Christopher McQuarrie (this is his third straight effort), it is quite clear that he has the formula down to a tee. Deftly fusing high stakes action, sight-seeing adventure, perfect comedic timing, and enough drama to keep even the more serious viewers involved, Ethan Hunt (Tom Cruise) finds himself in a, dare I say it, even more impossible situation than ever before.