Originally meant to be a satire... though of a film very few have ever seen nowadays, the Norman Z. McLeod western comedy The Paleface (1948), written by Frank Tashlin about 1929's Virginian, infuriated the man in how it was directed (as a more generic spoof of the western)... but funnily enough, despite the screenwriter’s opinion, until Blazing Saddles (1974) came out, it was the highest grossing western parody of all-time and spawned a sequel in Son of Paleface (1952), while it was also remade as the Don Knotts vehicle The Shakiest Gun in the West (1968). After government agents tasked with tracking down an illegal gun smuggling ring turn up dead, the infamous Calamity Jane (Jane Russell) is secretly broken out of jail by Gov. Johnson (Charles Trowbridge) with the hope that she will take a pardon for going undercover to get to the bottom of this rebel-rousing (similar to rabble-rousing) gang in the frontier land.

Back in 1982, a sci-fi horror film called The Thing got trashed by critics – perhaps it was due to it coming out around the same time as other sci-fi flicks like E.T. The Extraterrestrial and Blade Runner, or because it was too dark and edgy. . . or maybe it was simply ahead of its time. Funnily enough, it is now considered one of the all-time greats of the horror genre. Critics have come around to see the movie in a much more positive light – which explains why it has been placed onto countless lists that recognize great films, horror or otherwise.
There may be no film that better encapsulates the idea of doing what is right or just rather than what is popular or easy than the classic 1952 western High Noon. I recently chatted with iconic character actor John Rhys-Davies, who has created wonderful personas in memorable films such as The Lord of the Rings trilogy (Gimli), Raiders of the Lost Ark/Indiana Jones and The Last Crusade (playing Indiana Jones’ loyal pal Sallah), or portraying General Pushkin in the 1987 James Bond flick The Living Daylights, to name but a few.
Often considered the best film of 1989, Spike Lee’s Do the Right Thing sets the tone early with Rosie Perez (who plays Tina) dancing to Public Enemy’s song "Fight the Power". It was rather interesting to learn that Lee was actually influenced by Ann Margret’s opening in Bye Bye Birdie (which has a very different vibe). In any case, what follows is a powerful, character driven dramedy that widely encompasses life, death, race, poverty and everything in between – all found within the neighbourhood of Bedford-Stuyvesant, Brooklyn.

I am sure most of you have heard of the classic 1967 crime flick Bonnie and Clyde. Perhaps a film that is lesser known and is also based off of Great Depression bandits Clyde Barrow and Bonnie Parker (though the two characters have different names) is the legendary 1950 film noir Gun Crazy – which, when viewed, will clearly be seen as a precursor to the Warren Beatty and Faye Dunaway offering.
There was always something highly entertaining about the late Patrick Swayze, whether he was having a comedic dance off against Chris Farley on Saturday Night Live, or he was the criminal mastermind of a surfer gang in the action flick Point Break. He always brought a charming, entertaining and realistic human side to the characters that he portrayed. One role that epitomises his varied career is the romantic dramedy Ghost.
Dirty Harry, starring the legendary Clint Eastwood, has to be one of the most iconic characters in film history. Eastwood truly brings the essence of Harry Callahan to life, delivering a gritty performance that captures the hero’s gruff, no nonsense ways and vigilante-style justice. In 1971, the same year Eastwood starred in Dirty Harry, Michael Caine was cast as the lead in a British motion picture called Get Carter, which carries many of the same themes.