Taking years as he reveled in the eccentric, outlandish neo-noir mystery thriller landscape he was writing, David Lynch then went on to direct his violent, erotic, drug infused crime caper, calling it Blue Velvet (1986) – with the 1963 song of the same name sung by Bobby Vinton being a big influence on the picture. Though set in the time it was made, the suburban Lumberton feels like it is stuck in the 1950s. Airing a vibe that is more than a touch off-putting, there is no semblance of things being in the right – all seemingly out of time and place. The billboards resemble another era, most of the cars are thirty years old, and lounge singers are popular again.
The saying ‘they don’t make films like that anymore' is often bandied about when it comes to classic movies. It is something that is difficult to quantify or describe as to why it is so, but when you see it, it seems self evident. One motion picture that has this unusual quality is the 1948 film I Remember Mama. I recently spoke to Louise Sorel at CAPE Cornwall. You may recognize the actress if you are a fan of soap operas;
Clutch is a term that is often synonymous with big time athletes in sports. There are certain players that, when the match is on the line, elevate their game to another level. They have the innate ability to shift into another gear, making it feel like they are seeing the game much more clearly than the rest of the athletes. One such National Hockey League player is former New York Islanders’ goaltender Billy Smith. The winner of four straight Stanley Cups from 1980-1983,

With the steamy heat of summer upon us, it is time to revisit one of my favourite genres – the dark, seductive, hard-boiled stories of film noir (from the 1940's and 50's). Billy Wilder, one of the great directors of the twentieth century, created three classics that fall within this genre: 1944's Double Indemnity (which I have already reviewed), 1951's Ace In the Hole and the 1950 iconic motion picture Sunset Blvd. – which will be reviewed here today.
On the 8th of July, 2016, I had the privilege of golfing with NHL Hall of Famer Dale Hawerchuk at Upper Canada Golf Course in Morrisburg, Ontario. For those of us who have played hockey, we understand how difficult it is to put up a point per game, whether we were playing house league, travelling team, or in the professionals. Hawerchuk impressively put up 1409 points in only 1188 games during his career, which spanned from 1981-1997. He spent most of his time with the Winnipeg Jets, but also played for the Buffalo Sabres for five years, the St. Louis Blues for a year, and wrapped up his career playing two years with the Philadelphia Flyers.
Each generation has a select few films that push the boundaries of their era – changing the way in which people saw motion pictures and (usually) creating a new freedom for future filmmakers to delve deeper into those controversial themes that were first explored in the edgy flicks. One such movie is Fred Zinnemann’s 1953 motion picture From Here to Eternity. A major risk for Columbia at the time ), the decision paid off, as it was a major financial success and won eight Academy Awards (including Best Picture, Best Supporting Actor and Actress – for Frank Sinatra and Donna Reed, Best Director, etc.).
"I remember 3 or 4 weeks before [filming Star Trek], I was working on a western, being beat up, and shot, and one thing and another. . . and then finally killed in the thing; and then a month later I’m in a gold tutu floating around as a God – so you never know in this business. It is very strange". That is a quote from iconic character and voice actor Michael Forest, who has been working in the business for more than sixty years. He humourously summed up life as an actor in the quotation above, referencing work on a western as well his classic turn as the God Apollo (in the episode ‘Who Mourns for Adonais?’) on the television series Star Trek. I was fortunate enough to interview Forest at CAPE, the Cornwall and Area Pop Expo as part of the fiftieth anniversary of the cult classic Star Trek.