Closing the Book

We are now officially into the dog days of summer. Fall is in the air and it is time for my final film noir of the summer. Many movies have depicted the attempt at the perfect heist, but there are few that are as influential as the 1956 Stanley Kubrick motion picture The Killing. Kubrick, who is best known for later films such as The Shining, Full Metal Jacket and 2001: A Space Odyssey, both wrote the screenplay and directed this classic gem, with assistance from Jim Thompson – who helped write the dialogue (Thompson has become an iconic pulp crime fiction novelist [The Killer Inside Me] – gaining fame after his death in 1977).

There have been many attempts at turning the King Arthur legend into film – from bloated action tales and Cold War bewilderment (where the villains wear Soviet Union red outfits), to animated Disney classics, but the movie that best captures the true essence of the historic tale is the 1981 John Boorman (Deliverance) epic Excalibur.

Fans of Quentin Tarantino and his iconic crime thriller Pulp Fiction may remember the cryptic glowing briefcase with the lock that is opened by the number 666 which is held by John Travolta and Samuel L. Jackson. This mysterious plot device was borrowed from one of the last great film noir pictures from that genre’s classical era, 1955's Kiss Me Deadly. Similarly, this gimmick was also used (but this time in the trunk of an automobile) in the Alex Cox 1984 cult classic Repo Man, starring Harry Dean Stanton and Emilio Estevez.

For almost 100 years, Disney has entertained family audiences with their amazing live-action and animated films. One of my favourites is the oft forgotten 1968 pirate tale Blackbeard’s Ghost.

One of my favourite genres is the short-lived film noir category, which lasted through the 1940's and petered out towards the end of the 1950's. It grew from the German expressionism period of the 1920's and was compounded by the anxiety and cynicism that came out of World War II. Named by French critics who were describing the black-and-white Hollywood crime movies of the 40's, this is a unique genre that captures a much darker, cynical and more vicious world than most other films from this period.

The 1980's and 1990's were two superb decades for amazing action films that contained easy on the eyes stunts, clever storylines, touches of comedy and great villains. Movies like the Die Hard trilogy, Lethal Weapon 1-4 , Mission Impossible, and James Bond entries like License to Kill and Goldeneye entertained in all of these categories. One of the best action movies to come out of the 90's though, is known as Léon or The Professional.