Velvet Fog

I think it is finally safe to say that spring is in the air. For me, this time of year brings to mind two things in the realm of sports: the NHL playoffs and the beginning of the golf season. I was lucky enough to run into John Lu at a Montreal Canadiens game recently and we started to talk movies. Lu, who reports on all things sports in Montreal, Habs and beyond, for TSN, was quick to name a classic sports film – Caddyshack, as his favourite comedy of all-time. For him, it was the superb cast and their talents at improvising that placed this movie a notch above the rest.

In 1939, it was known that Charlie Chaplin was making a new film.

It is hard to believe that Clint Eastwood has been directing movies for over four decades. His second directorial effort, the 1973 western High Plains Drifter, is now celebrating its 40th year.

Stanley Kubrick, one of the great directors of the 20th Century, was a unique artist who was able to experiment with many different genres throughout his four plus decades of work. From film noir to horror, Kubrick’s movies were varied so that no two were similar, other than perhaps in theme. Of his 13 motion pictures, only two were war based, with the 1987 Vietnam narrative Full Metal Jacket being one of his most iconic. Yet, I am going to talk about his earlier anti-war film, the 1957 classic Paths of Glory.

We are now less than one week away from the Academy Awards and I thought it would be a good time to visit one of the biggest Oscar winning movies of the 1970's – the classic 1975 motion picture One Flew Over the Cuckoo’s Nest – which took home five of the biggest prizes; namely, Best Picture (a young Michael Douglas won for producing the movie), Best Actor in a Leading Role, Best Actress in a Leading Role, Best Director and Best Adapted Screenplay.

After looking at an Academy Award winning picture in Casablanca and a best actor in a leading role in Philip Seymour Hoffman in Capote, it is time to look at a female lead that has taken home the big prize. This will also be the first movie that I have looked at that is an adaptation of one of horror maestro Stephen King’s novels. As those of you who watch a lot of movies will know, Stephen King’s creations usually turn out one of two ways on film – an absolute train wreck or an entertaining and very strong effort; this movie falls into the latter category. By this point, some of you may have already figured out that I am reviewing the 1990 dramatic thriller Misery.