If you’re a huge fan of Bud Abbott and Lou Costello, then this one will be a bit of a weird watch for you... as it is the only film the latter star appears in without his iconic straight man (the pair had dissolved their partnership in 1957). Also away from their typical Universal Studios, this one comes from Columbia. A clear take on 1958's Attack of the 50 Foot Woman, the director Sidney Miller promptly brought forward the sci-fi comedy parody The 30 Foot Bride of Candy Rock (1959).

In 1928, after falling under some financial pressure, Buster Keaton moved away from his own independent productions and merged things with MGM... a most profitable decision, yet a choice that he later called the, “ worst mistake of his career”. Going from the creative genius behind his own projects to a cog in the studio system with limited creative control over his projects, it went well enough on their first feature, The Cameraman (reviewed here on Filmizon), but with their next effort, Spite Marriage (1929), sadly that freedom was mostly gone. Directed by Edward Sedgwick, with a star like Keaton there is still some magic here, though that feeling of spontaneity, charm, and warmth feels confined within the structured, more efficient MGM production.
For those of you who know me well, it is no secret that I’m a huge The Lord of the Rings fan... and it has been a goal of mine to meet and interview as many stars from the trilogy as possible. So, when I got the chance to chat with Billy Boyd about his favourite film, it was an absolute treat. Best known for playing Peregrin ‘Pippin’ Took, one of the loveable and quite comedic hobbits in the franchise (who is most often seen opposite Dominic Monahan’s Merry), it is most definitely worth highlighting some of his other roles, including 2003's epic Master and Commander: The Far Side of the World (where he plays coxswain Barrett Bonden), 2005's On a Clear Day (a dramedy about swimming the English channel), while he also features in both the horror film Seed of Chucky and the television show Chucky (2021-2024), and even appeared in four episodes of the very popular series Outlander as Gerald Forbes.

It’s hard to believe that the Christmas comedy Just Friends (2005), directed by Roger Kumble, is celebrating its twentieth anniversary already this year. Not a big success at the box office at the time (only earning 50.9 million), it has slowly built a bit of a cult status over the last two decades. Though not received particularly well by critics at the time either, its joyous comedy, romantic elements, and Ryan Reynolds centred ensemble cast make for a most entertaining watch each and every holiday season.

Leaning heavily into some outrageous sight gags best described as over the top slapstick, co-writer and director Blake Edwards reunited with star Peter Sellers for this, the fifth feature of their illustrious comedy franchise, titled Revenge of the Pink Panther (1978). As always, Chief Inspector Jacques Clouseau (Sellers – Being There) continues to be a thorn in the side of the criminal underworld – despite his klutzy ways. Infuriating Philippe Douvier (Robert Webber – 12 Angry Men), a French businessman as well as the secret head of the largest drug conglomerate in the country, as the New York Mafia feels like their Parisian counterparts aren’t pulling their weight, he decides to okay the assassination of Clouseau.
As someone who loves history, there is nothing better than delving into movies from the past. Not only are they a microcosm of society at the time they were made, but there is an added benefit if they were filmed on location somewhere rather unique, that may or may not have changed drastically over the years since shooting. Having recently watched the slapstick British comedy Carry On Girls (1973), it brought me back to another very different film from the past, the low budget horror cult classic Carnival of Souls (1962) – for a very specific reason. So, instead of doing a typical review of the features, we will take a look at two historic locations featured in both of these pictures.

Upon hearing that The Naked Gun: from the Files of Police Squad (1988) and its sequels The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994) were getting their own reworking of a sequel all these years later, simply titled The Naked Gun (2025), dare I say, it was a tad worrisome. The last decade has been kind to the action and horror genres, but not so for much else... with the last comedies I can remember being either liked or successful ranging all the way back to the buddy cop action comedy The Nice Guys (2016), Game Night and Tag (both 2018), and Good Boys (2019) – of course, there are a few rom/coms and other such things strewn in there, but it hasn’t been a solid stretch for the laugh factory out of Hollywood. Yet, somehow this one has dodged the current comedy killer bullet and survived the dreaded thirty plus year remake/reboot sequel.